1 00:02:57,845 --> 00:03:01,181 * LOOK AT MY BODY 2 00:03:01,215 --> 00:03:06,186 * IT'S WAITING FOR YOU 3 00:03:06,220 --> 00:03:08,856 * FOLLOW MY EYES 4 00:03:08,889 --> 00:03:14,695 * YES, THEY'RE BURNING YOU THROUGH * 5 00:03:14,728 --> 00:03:18,232 * DARLING, I'LL WAIT FOR YOU * 6 00:03:18,266 --> 00:03:23,036 * SO TAKE ME IN YOUR ARMS * 7 00:03:23,070 --> 00:03:25,239 * MY BODY'S ACHING 8 00:03:25,273 --> 00:03:31,044 * NOW, COME CLOSER TO ME 9 00:03:37,251 --> 00:03:41,121 I WAS MORE SENSUAL THIS TIME. BETTER, ISN'T IT? 10 00:03:41,154 --> 00:03:44,258 IF YOU SAY SO. 11 00:03:47,495 --> 00:03:50,698 AND HOW ABOUT MY FIGURE? 12 00:03:50,731 --> 00:03:54,702 NOW THAT I'VE CUT OUT BREAD, I LOOK BETTER, DON'T I? 13 00:03:54,735 --> 00:03:59,072 YOU'RE MARVELOUS, BUT I WAS JUST THINKING. 14 00:03:59,106 --> 00:04:01,241 WHAT? 15 00:04:01,275 --> 00:04:05,045 YOU'VE GOT THE WHOLE SHOW ON YOUR SHOULDERS. 16 00:04:05,078 --> 00:04:08,482 IF YOU DO MARLENE, YOU WON'T HAVE TIME TO CHANGE. 17 00:04:08,516 --> 00:04:12,286 I HAVE PLENTY OF TIME BEFORE THE FINALE. 18 00:04:13,521 --> 00:04:15,956 IF SOMETHING'S WRONG, JUST SAY SO. 19 00:04:15,989 --> 00:04:20,160 NO, NOTHING'S WRONG. I'M JUST WORRIED ABOUT YOU. 20 00:04:20,193 --> 00:04:22,330 YOU HAVEN'T BEEN FEELING WELL. 21 00:04:22,363 --> 00:04:25,499 AND TO DO THE MARLENE NUMBER SEEMS UNWISE. 22 00:04:25,533 --> 00:04:28,101 YES, BUT, RENATO, WE NEED SOMETHING ROMANTIC. 23 00:04:28,135 --> 00:04:32,172 THE COMEDY ROUTINES ARE FINE, BUT PEOPLE NEED TO DREAM. 24 00:04:32,205 --> 00:04:37,345 THAT'S WHAT I WANT TO GIVE THEM: BEAUTY, EMOTION, SENSUALITY. 25 00:04:37,378 --> 00:04:40,147 AND IF I KILL MYSELF DOING IT, TOO BAD. 26 00:04:40,180 --> 00:04:43,484 THE SHOW MUST GO ON. 27 00:04:43,517 --> 00:04:45,353 I'LL TRY IT AGAIN. 28 00:04:45,386 --> 00:04:50,624 LOOK, I HAVE AN IDEA. 29 00:04:51,325 --> 00:04:53,126 CARAMEL? 30 00:04:53,160 --> 00:04:57,931 * DARLING, JUST LOOK AT ME, NOW * 31 00:04:57,965 --> 00:05:02,302 * I CAN SEE YOU'RE MINE 32 00:05:02,336 --> 00:05:03,103 * YOU FELL IN LOVE... 33 00:05:03,136 --> 00:05:06,006 DO YOU MIND? THAT'S MY STOOL! 34 00:05:06,039 --> 00:05:09,710 * YES, SO MANY TIMES 35 00:05:09,743 --> 00:05:12,513 WHAT IS THIS FOOLISHNESS? 36 00:05:12,546 --> 00:05:13,814 ALBIN. 37 00:05:13,847 --> 00:05:15,349 * STILL THE ONE, NOW 38 00:05:15,383 --> 00:05:18,151 * I CAN SEE YOUR SMILE 39 00:05:18,185 --> 00:05:19,319 LISTEN TO ME. 40 00:05:19,353 --> 00:05:23,123 IT'S NOT A QUESTION OF ARTISTIC PREFERENCE. 41 00:05:23,156 --> 00:05:25,125 YOU'RE UNIQUE, IRREPLACEABLE, 42 00:05:25,158 --> 00:05:26,527 THE STAR OF THE SHOW. 43 00:05:26,560 --> 00:05:30,531 I JUST WANT TO MAKE THINGS EASIER FOR YOU. 44 00:05:30,564 --> 00:05:35,235 GIVE YOU A LITTLE TIME TO YOURSELF. 45 00:05:35,268 --> 00:05:36,670 STOP! 46 00:05:37,738 --> 00:05:39,172 BOYS, GIVE ME A SECOND. 47 00:05:39,206 --> 00:05:42,376 LOOK AT THE NEW STAR. THERE SHE IS! 48 00:05:42,410 --> 00:05:43,544 AH, HA HA, AH HA! 49 00:05:43,577 --> 00:05:44,912 THE NEW MARLENE. 50 00:05:44,945 --> 00:05:47,214 AND WHO'S RESPONSIBLE FOR THIS? 51 00:05:47,247 --> 00:05:49,550 THE BOSS--RENATO! 52 00:05:49,583 --> 00:05:54,388 3 CHEERS FOR THE BOSS, HIP, HIP, HOORAY! 53 00:05:54,422 --> 00:05:58,759 OH, BRAVO, DARLING. VERY GOOD. A REAL BITCH. 54 00:05:58,792 --> 00:06:01,194 LOTS OF LUCK. 55 00:06:02,563 --> 00:06:07,200 AND HE CAN DO THE REST OF THE SHOW, TOO. 56 00:06:14,708 --> 00:06:17,445 ALBIN. 57 00:06:19,580 --> 00:06:22,450 ALBIN, ARE YOU LISTENING TO ME? 58 00:06:23,484 --> 00:06:26,219 ALBIN, WE'RE PAST OUR PRIME, 59 00:06:26,253 --> 00:06:28,255 AND WE CAN'T DO A THING ABOUT IT. 60 00:06:28,288 --> 00:06:30,791 THERE COMES A TIME WHEN ONE MUST CHANGE, 61 00:06:30,824 --> 00:06:32,760 PLAY IT FOR THE LAUGHS. 62 00:06:32,793 --> 00:06:37,097 IT'S NOT A CATASTROPHE. C'EST LA VIE. 63 00:06:37,130 --> 00:06:40,400 YOU CAN'T GO ON BEING WHAT YOU HAVE BEEN. 64 00:06:40,434 --> 00:06:42,703 AT FIRST YOU MAKE PEOPLE DREAM, 65 00:06:42,736 --> 00:06:45,639 THEN YOU MAKE PEOPLE LAUGH. 66 00:06:53,146 --> 00:06:55,849 I MAKE YOU LAUGH? 67 00:06:58,118 --> 00:07:02,155 NO, I DON'T BELIEVE YOU. 68 00:07:03,090 --> 00:07:06,660 NO, I'M NOT RIDICULOUS. 69 00:07:06,694 --> 00:07:08,428 I CAN STILL AROUSE DESIRE. 70 00:07:08,462 --> 00:07:12,633 OF COURSE. GO TO BED. I'LL MAKE YOU SOME TEA. 71 00:07:12,666 --> 00:07:13,801 YOU KNOW, RENATO, 72 00:07:13,834 --> 00:07:17,237 IF I'M NO LONGER ATTRACTIVE, 73 00:07:17,270 --> 00:07:19,707 I'LL KILL MYSELF. 74 00:07:20,140 --> 00:07:22,476 DARJEELING OR JASMINE? 75 00:07:32,385 --> 00:07:33,654 IS MONSIE AWAKE? 76 00:07:33,687 --> 00:07:35,823 SHE'S HAD BREAKFAST AND IS GETTING DRESSED. 77 00:07:35,856 --> 00:07:40,928 JACOB, I'VE TOLD YOU TO SAY, "MONSIEUR HAS HAD BREAKFAST," 78 00:07:40,961 --> 00:07:45,165 OR "H IS GETTING DRESSED." UNDERSTAND? 79 00:07:45,566 --> 00:07:47,801 HELLO, MY DEARS. 80 00:07:51,071 --> 00:07:53,040 WHERE ARE YOU GOING LIKE THAT? 81 00:07:53,073 --> 00:07:54,141 OUT. 82 00:07:54,174 --> 00:07:56,043 DRESSED LIKE THAT? IN BROAD DAYLIGHT? 83 00:07:56,076 --> 00:07:59,146 YOU BURIED ME A LITTLE TOO SOON, RENATO. 84 00:07:59,179 --> 00:08:03,316 I'M GOING TO HAVE A DRINK AT A CAFé ON THE PATIO 85 00:08:03,350 --> 00:08:04,985 IN FRONT OF EVERYONE. 86 00:08:05,018 --> 00:08:09,557 WE'LL SOON SEE IF I'M STILL SEDUCTIVE. 87 00:08:11,559 --> 00:08:13,527 CIAO, BABY. 88 00:08:15,563 --> 00:08:17,565 HA HA! 89 00:08:56,637 --> 00:08:58,171 CRÈME DE MENTHE. 90 00:08:58,205 --> 00:08:59,372 YES, MA'AM. 91 00:08:59,406 --> 00:09:00,373 WITH WATER. 92 00:09:00,407 --> 00:09:01,742 YES, MA'AM. 93 00:09:21,428 --> 00:09:22,663 HA HA HA. 94 00:10:33,566 --> 00:10:35,836 ALBIN, PLEASE. COME HOME. 95 00:10:35,869 --> 00:10:38,038 DON'T BE STUBBORN. 96 00:10:38,071 --> 00:10:39,639 GO AWAY! 97 00:10:39,673 --> 00:10:40,640 BE REASONABLE. 98 00:10:40,674 --> 00:10:43,110 COME ON, LET'S GO HOME. 99 00:10:43,143 --> 00:10:44,311 LEAVE ME ALONE! 100 00:10:44,344 --> 00:10:46,479 COME ON. 101 00:10:46,513 --> 00:10:48,515 NO, LATER. 102 00:11:19,179 --> 00:11:22,082 LOVELY DAY, ISN'T IT? 103 00:11:24,617 --> 00:11:27,520 DO YOU WANT SOMETHING TO DRINK? 104 00:11:29,957 --> 00:11:32,760 WHERE ARE WE GOING? 105 00:11:35,362 --> 00:11:37,564 WHAT'S GOING ON? 106 00:11:39,933 --> 00:11:41,969 DRIVE AWAY. 107 00:11:52,545 --> 00:11:54,114 WHERE TO, LOVE BIRDS? 108 00:11:54,147 --> 00:11:55,816 TO THE RIGHT. 109 00:11:56,649 --> 00:11:57,951 WHERE ARE YOU TAKING ME? 110 00:11:57,985 --> 00:11:59,586 TO THE LEFT. 111 00:12:00,320 --> 00:12:01,789 I MUSTN'T GET HOME LATE. 112 00:12:01,822 --> 00:12:04,091 I HAVE A DANCE CLASS AT 6:00. 113 00:12:04,124 --> 00:12:05,759 TO THE RIGHT. 114 00:12:05,793 --> 00:12:07,594 WHAT DID YOU SAY YOUR NAME WAS? 115 00:12:07,627 --> 00:12:08,762 STOP! 116 00:12:08,796 --> 00:12:10,397 Albin: AAH! 117 00:12:16,469 --> 00:12:17,637 BUT... 118 00:12:17,670 --> 00:12:19,239 HEH HEH. 119 00:12:25,278 --> 00:12:29,582 AH! BACK AGAIN. HA HA HA! 120 00:12:29,616 --> 00:12:32,886 REALLY, YOU DON'T SEEM TO KNOW WHAT YOU WANT. 121 00:12:32,920 --> 00:12:33,787 A ROOM. 122 00:12:33,821 --> 00:12:37,290 A ROOM? ARE YOU CRAZY?! 123 00:12:40,493 --> 00:12:42,930 RENATO! COME ON, HONEY, LET'S GO. 124 00:12:42,963 --> 00:12:46,266 THAT'LL TEACH HIM A LESSON. 125 00:12:55,809 --> 00:12:57,310 HI, THERE. 126 00:12:59,012 --> 00:13:01,815 I KNOW YOU'RE GOING TO BE DISAPPOINTED, 127 00:13:01,849 --> 00:13:04,985 BUT I DIDN'T COME UP HERE FOR WHAT YOU THINK. 128 00:13:05,018 --> 00:13:09,589 I JUST WANTED TO PROVE A POINT TO A FRIEND. 129 00:13:09,622 --> 00:13:11,959 WELL, THE POINT IS MADE. 130 00:13:11,992 --> 00:13:14,828 I MUST RUN ALONG. 131 00:13:14,862 --> 00:13:17,364 PLEASE FORGIVE ME IF I LED YOU ON. 132 00:13:17,397 --> 00:13:18,165 I'M NOT THAT TYPE. 133 00:13:18,198 --> 00:13:22,535 I HOPE WE CAN BE GOOD FRIENDS. 134 00:13:24,404 --> 00:13:27,007 I WAS DELIGHTED TO MEET YOU. 135 00:13:27,040 --> 00:13:29,709 I HOPE WE MEET AGAIN. 136 00:13:29,742 --> 00:13:34,447 PLEASE ACCEPT MY BEST REGARDS. 137 00:13:38,685 --> 00:13:40,220 BE REASONABLE. 138 00:13:40,253 --> 00:13:41,621 I HAVE MY LIFE, 139 00:13:41,654 --> 00:13:44,557 AND SURELY YOU HAVE YOURS. 140 00:13:45,258 --> 00:13:49,729 WE MUST BE STRONG. 141 00:13:50,763 --> 00:13:53,500 THAT'S BETTER. 142 00:13:53,533 --> 00:13:55,302 THANK YOU. 143 00:13:55,335 --> 00:14:00,573 THANK YOU FOR BEING SO UNDERSTANDING, YOU YOUNG HUNK. 144 00:14:00,941 --> 00:14:04,777 IT'S BETTER THIS WAY. 145 00:14:08,281 --> 00:14:11,318 BELIEVE ME, IT WOULDN'T HAVE LED ANYWHERE. 146 00:14:11,351 --> 00:14:14,888 AND THERE'S THE AGE DIFFERENCE. 147 00:14:14,922 --> 00:14:17,090 I'M 2 OR 3 YEARS OLDER THAN YOU. 148 00:14:17,124 --> 00:14:20,760 IT'S NOT A BIG DIFFERENCE NOW, 149 00:14:20,793 --> 00:14:22,930 BUT IN 10 YEARS... 150 00:14:23,796 --> 00:14:25,698 GIVE ME A SMILE. 151 00:14:25,732 --> 00:14:27,167 I'M SAD, TOO. 152 00:14:27,200 --> 00:14:28,969 Renato: ALBIN! 153 00:14:32,739 --> 00:14:35,242 AREN'T YOU ASHAMED? 154 00:14:35,275 --> 00:14:37,911 DO YOU KNOW WHAT YOU PICKED UP? 155 00:14:37,945 --> 00:14:38,845 LISTEN TO ME. 156 00:14:38,878 --> 00:14:41,949 HE'S IN FOR A HELL OF A SURPRISE. 157 00:14:41,982 --> 00:14:43,116 SHUT UP! 158 00:14:43,150 --> 00:14:47,287 BECAUSE THIS "LADY" IS ACTUALLY A MAN. 159 00:14:51,758 --> 00:14:55,062 WELL, YOU'VE KILLED HIM. 160 00:14:58,165 --> 00:15:01,834 MY PET, ARE YOU ALL RIGHT? 161 00:15:02,435 --> 00:15:04,972 SAY SOMETHING! 162 00:15:09,842 --> 00:15:11,945 HE'S DEAD. 163 00:15:24,024 --> 00:15:25,959 THE POLICE! 164 00:15:25,993 --> 00:15:28,161 WE'VE GOT TO CALL THE POLICE! 165 00:15:28,195 --> 00:15:32,932 NO POLICE! WE'RE DEFINITELY NOT CALLING THE POLICE. 166 00:15:32,966 --> 00:15:36,169 WHY SHOULDN'T I? 167 00:15:36,203 --> 00:15:37,304 LISTEN TO ME. 168 00:15:37,337 --> 00:15:40,740 YOU CALL THE POLICE, AND WHAT WILL THEY FIND? 169 00:15:40,773 --> 00:15:43,610 AN UNMARRIED COUPLE. THAT'S NOT SO BAD. 170 00:15:43,643 --> 00:15:47,180 A COUPLE WHERE THE WOMAN IS ACTUALLY A MAN... 171 00:15:47,214 --> 00:15:50,217 THAT COULD POSE A PROBLEM. 172 00:15:51,118 --> 00:15:53,420 BUT WHERE THE WOMAN IS A MAN 173 00:15:53,453 --> 00:15:56,189 AND THE MAN IS A CORPSE... 174 00:15:56,223 --> 00:15:58,125 THAT IS A 4-LETTER MESS! 175 00:15:58,158 --> 00:15:59,026 AAH! 176 00:15:59,059 --> 00:16:00,827 QUIET! 177 00:16:06,033 --> 00:16:08,001 OH, MY GOD. 178 00:16:13,206 --> 00:16:17,177 WE'VE GOT TO GET OUT OF HERE, RENATO. 179 00:16:47,707 --> 00:16:50,243 THE ROOM WITH THE BALCONY? 180 00:16:50,710 --> 00:16:51,678 NUMBER 24. 181 00:16:51,711 --> 00:16:52,745 WHO'S IN IT? 182 00:16:52,779 --> 00:16:56,416 A FAT REDHEAD AND A GUY ABOUT 25. 183 00:17:10,930 --> 00:17:12,632 AAH! 184 00:17:15,535 --> 00:17:18,305 GOD, I LOOK AWFUL. 185 00:17:30,917 --> 00:17:31,918 ALBIN. 186 00:17:31,951 --> 00:17:32,885 OHH! 187 00:17:32,919 --> 00:17:35,888 WHO IS IT? 188 00:17:37,490 --> 00:17:38,358 READ THIS. 189 00:17:38,391 --> 00:17:40,893 ARE YOU CRAZY, WAKING ME UP LIKE THIS? 190 00:17:40,927 --> 00:17:41,894 READ THIS! 191 00:17:41,928 --> 00:17:42,762 HMM? WHAT? 192 00:17:42,795 --> 00:17:45,265 TAKE OUT YOUR EAR PLUGS. 193 00:17:51,671 --> 00:17:53,473 YOUR GLASSES. 194 00:17:53,506 --> 00:17:55,275 THANKS. 195 00:17:57,744 --> 00:17:59,812 "DOUBLE MURDER IN A HOTEL IN NICE. 196 00:17:59,846 --> 00:18:06,353 A MYSTERIOUS WOMAN FLEES, LEAVING 2 CORPSES." 197 00:18:09,956 --> 00:18:14,761 I WASN'T DREAMING? IT WASN'T A NIGHTMARE, THEN. 198 00:18:14,794 --> 00:18:18,165 MY GOD, HOW AWFUL. 199 00:18:18,198 --> 00:18:19,932 READ THE ARTICLE. 200 00:18:19,966 --> 00:18:22,302 GO ON, READ IT. 201 00:18:23,603 --> 00:18:25,805 "IT'S 1 P.M. AT THE HOTEL DE LYS, 202 00:18:25,838 --> 00:18:31,611 ONE OF THOSE PLACES WHICH RENTS ROOMS BY THE HOUR." 203 00:18:31,644 --> 00:18:34,214 WE KNOW WHAT THAT MEANS. 204 00:18:34,814 --> 00:18:35,848 KEEP READING. 205 00:18:35,882 --> 00:18:38,918 "A COUPLE APPEARS AT THE RECEPTION DESK. 206 00:18:38,951 --> 00:18:40,019 "A MAN ABOUT 30 207 00:18:40,052 --> 00:18:43,890 WITH A WOMAN OLD ENOUGH TO BE HIS MOTHER." 208 00:18:44,957 --> 00:18:47,227 WHO IS HE TALKING ABOUT? 209 00:18:51,631 --> 00:18:56,536 "THE CLERK DESCRIBES HER AS A FA--" 210 00:18:57,337 --> 00:19:00,840 "AS A FAT... A FAT REDHEAD..." 211 00:19:02,041 --> 00:19:05,478 "ABOUT 60 YEARS OLD." 212 00:19:05,912 --> 00:19:08,581 RATHER VULGAR. 213 00:19:17,557 --> 00:19:21,027 I'D LIKE TO GO BACK TO SLEEP NOW. 214 00:19:21,861 --> 00:19:25,732 YOU'LL SLEEP FOR 20 YEARS ACTING THIS WAY! 215 00:19:25,765 --> 00:19:30,002 "THE WOMAN WAS WEARING A SILK PANTSUIT WITH A FLORAL PATTERN." 216 00:19:30,036 --> 00:19:34,574 THIS WILL BRING YOU 20 YEARS, AND THAT'S IF YOU'RE LUCKY. 217 00:19:34,607 --> 00:19:38,678 LOOK, THERE'S EVEN A POLICE COMPOSITE. 218 00:19:42,515 --> 00:19:44,050 THAT'S SUPPOSED TO BE ME? 219 00:19:44,083 --> 00:19:46,386 LOOK AT ME. I'VE LOST 6 POUNDS. 220 00:19:46,419 --> 00:19:48,588 I HARDLY EAT ANYTHING. 221 00:19:48,621 --> 00:19:51,224 I'M ALL SKIN AND BONES. 222 00:19:53,192 --> 00:19:54,193 JACOB. 223 00:19:54,227 --> 00:19:56,863 OH. JACOB. 224 00:19:58,865 --> 00:19:59,699 YES? 225 00:19:59,732 --> 00:20:02,502 TAKE A LOOK AT NICE MATIN. 226 00:20:02,535 --> 00:20:05,705 IT'S ON THE BED. 227 00:20:09,909 --> 00:20:11,911 LEAVE THAT ALONE. 228 00:20:11,944 --> 00:20:16,215 GO ON, LOOK AT THE PHOTO ON THE FRONT PAGE. 229 00:20:16,249 --> 00:20:18,718 HA HA HA! OH, MISTRESS! 230 00:20:18,751 --> 00:20:21,020 HA HA HA HA! 231 00:20:21,053 --> 00:20:22,021 OUT. 232 00:20:22,054 --> 00:20:23,089 WHAT? 233 00:20:23,122 --> 00:20:27,727 GO BACK UP YOUR COCONUT TREE, YOU IDIOT! 234 00:20:35,268 --> 00:20:37,136 20 YEARS! 235 00:20:39,105 --> 00:20:41,808 WHAT'S GOING TO HAPPEN TO US? 236 00:20:41,841 --> 00:20:45,211 NO, NO! I DON'T WANT TO HEAR ANOTHER WORD! 237 00:20:45,244 --> 00:20:48,247 YOUR ESCAPADES DON'T INTEREST ME. 238 00:20:48,281 --> 00:20:50,950 IF YOU'VE GOT YOURSELVES INTO A MESS, 239 00:20:50,983 --> 00:20:52,485 THAT'S YOUR PROBLEM. 240 00:20:52,519 --> 00:20:55,955 YOUR SON MAY BE MARRIED TO MY DAUGHTER, 241 00:20:55,988 --> 00:21:01,060 BUTSTILL BELONG TO 2 DIFFERENT WORLDS. 242 00:21:01,093 --> 00:21:04,063 AND YOU KNOW WHAT I THINK OF YOURS! 243 00:21:04,096 --> 00:21:08,568 BESIDES, I'M IN THE MIDDLE OF MY ELECTORAL CAMPAIGN. 244 00:21:08,601 --> 00:21:12,672 AND YOUR PRESENCE IS A CONSTANT MENACE. 245 00:21:12,705 --> 00:21:14,240 A CONSTANT MENACE! 246 00:21:14,273 --> 00:21:17,143 I'M SORRY TO HAVE TO BE SO BRUTAL. 247 00:21:17,176 --> 00:21:20,347 PLEASE LEAVE MY OFFICE AT ONCE! 248 00:21:26,953 --> 00:21:28,688 Renato: NO CHOCOLATE. 249 00:21:28,721 --> 00:21:32,925 IT'S NO GOOD FOR YOU, AND IT WON'T SOLVE ANYTHING. 250 00:21:32,959 --> 00:21:35,762 THAT CHARRIER IS A REAL BASTARD. 251 00:21:35,795 --> 00:21:37,163 I WAS STUPID TO ASK HIM. 252 00:21:37,196 --> 00:21:42,134 A POLITICIAN CAN'T DIRTY HIS HANDS WITH THE LIKES OF US. 253 00:21:42,168 --> 00:21:45,271 WE'LL HAVE TO HANDLE IT OURSELVES. 254 00:21:45,304 --> 00:21:46,873 GIVE ME A CHOCOLATE. 255 00:21:46,906 --> 00:21:48,641 NO. 256 00:21:55,314 --> 00:21:56,282 WHAT ARE YOU DOING? 257 00:21:56,315 --> 00:21:58,985 SINCE THE POLICE ARE LOOKING FOR A WOMAN, 258 00:21:59,018 --> 00:22:02,989 THE ONLY SOLUTION IS TO GET RID OF HER. 259 00:22:04,757 --> 00:22:08,695 YOU MUST NEVER AGAIN DRESS LIKE A WOMAN. NEVER! 260 00:22:08,728 --> 00:22:11,664 IT'S OUT OF THE QUESTION. 261 00:22:14,066 --> 00:22:17,904 STOP CRYING. IT'S NOT SUCH A TRAGEDY. 262 00:22:17,937 --> 00:22:21,908 THE WORLD IS FULL OF MEN DRESSED LIKE MEN. 263 00:22:24,777 --> 00:22:26,746 DON'T CRY. WE HAVE NO CHOICE. 264 00:22:26,779 --> 00:22:31,884 I CAN'T HELP IT. I'M JUST SO UPSET. 265 00:22:33,886 --> 00:22:35,354 DON'T OVERDO IT. 266 00:22:35,388 --> 00:22:37,724 WELL, OF COURSE, YOU CAN'T UNDERSTAND. 267 00:22:37,757 --> 00:22:40,993 IT'S BEYOND YOU. 268 00:22:41,027 --> 00:22:42,929 YOU KNOW, WHEN I STARTED OUT, 269 00:22:42,962 --> 00:22:45,732 I DIDN'T EVEN OWN A GARTER BELT. 270 00:22:45,765 --> 00:22:48,200 ALL I HAD WAS A LITTLE SKIRT, 271 00:22:48,234 --> 00:22:49,235 BORROWED FROM MY SISTER. 272 00:22:49,268 --> 00:22:52,872 I'VE HAD TO WORK HARD TO GET ALL THIS. 273 00:22:52,905 --> 00:22:54,674 BUT THEN, WHAT DO YOU CARE? 274 00:22:54,707 --> 00:23:01,380 NO MAN HAS WORKED AS HARD TO BUY HIMSELF DRESSES. 275 00:23:01,881 --> 00:23:04,050 NOT A ONE! IT'S INCREDIBLE! 276 00:23:04,083 --> 00:23:08,755 IF YOU HADN'T BEEN SO FOOLISH, THIS WOULDN'T HAVE HAPPENED. 277 00:23:08,788 --> 00:23:09,856 WHEN YOU TELL A GUY 278 00:23:09,889 --> 00:23:12,024 THAT HE CAN NO LONGER ATTRACT OTHER MEN, 279 00:23:12,058 --> 00:23:15,061 YOU DRIVE HIM TO DESPAIR. 280 00:23:15,094 --> 00:23:20,967 THAT'S HOW IT IS, MADAME. IT'S REALLY YOUR FAULT. 281 00:23:28,007 --> 00:23:30,577 WHAT ARE YOU DOING WITH THAT DRESS? 282 00:23:30,610 --> 00:23:32,211 WE HAVE TO BURN IT. 283 00:23:33,279 --> 00:23:35,081 I ONLY WORE IT ONCE! 284 00:23:35,114 --> 00:23:36,783 IT'S THE EVIDENCE. 285 00:23:40,119 --> 00:23:41,287 Albin: A PART OF ME 286 00:23:41,320 --> 00:23:44,591 IS BURNING, RENATO. 287 00:23:44,624 --> 00:23:47,827 MY YOUTH... 288 00:23:47,860 --> 00:23:49,629 IS GOING UP IN SMOKE. 289 00:23:49,662 --> 00:23:51,898 BE BRAVE, ALBIN, BE BRAVE. 290 00:23:51,931 --> 00:23:54,333 A PAGE HAS BEEN TURNED. 291 00:23:54,366 --> 00:23:59,138 ALL THAT WAS GRACEFUL, FRAGILE... 292 00:23:59,171 --> 00:24:01,741 DELICATE IN ME... 293 00:24:01,774 --> 00:24:05,277 HAS TURNED TO ASHES. 294 00:24:05,845 --> 00:24:09,482 I HAVE BECOME A MAN, RENATO. 295 00:24:11,684 --> 00:24:14,086 WHO'S GOING TO REPLACE ME? 296 00:24:14,120 --> 00:24:15,522 WHAT? 297 00:24:16,489 --> 00:24:17,524 IN THE SHOW. 298 00:24:17,557 --> 00:24:21,327 YOU WANT US TO GET SOMEONE TO REPLACE YOU? 299 00:24:21,360 --> 00:24:22,662 WHY? 300 00:24:22,695 --> 00:24:26,499 LOOK, YOU TOLD ME NOT TO DRESS LIKE A WOMAN ANYMORE. 301 00:24:26,533 --> 00:24:30,169 BUT LET ME POINT OUT THAT IN THE SHOW, 302 00:24:30,202 --> 00:24:34,106 I AM RARELY... DRESSED LIKE A MAN. 303 00:24:34,140 --> 00:24:35,675 SHIT! 304 00:24:35,708 --> 00:24:37,544 EXACTLY! 305 00:24:37,577 --> 00:24:40,279 FOR THE SHOW IT DOESN'T MATTER. 306 00:24:40,312 --> 00:24:41,681 WHAT? 307 00:24:41,714 --> 00:24:44,150 IN YOUR WIG AND COSTUME, 308 00:24:44,183 --> 00:24:46,686 I DOUBT THAT ANYONE WILL RECOGNIZE YOU. 309 00:24:46,719 --> 00:24:49,055 YOU'RE AFRAID BUSINESS WILL DROP OFF. 310 00:24:49,088 --> 00:24:51,858 ME? IT DIDN'T EVEN CROSS MY MIND. 311 00:24:51,891 --> 00:24:53,492 LIAR! 312 00:24:53,526 --> 00:24:55,494 YOU'D SEND ME OFF TO WAR 313 00:24:55,528 --> 00:24:57,564 JUST TO SAVE A FEW BUCKS. 314 00:24:57,597 --> 00:25:02,569 DO YOU PREFER TO END UP AT THE SALVATION ARMY 315 00:25:02,602 --> 00:25:06,172 OR UNDER A BRIDGE LIKE AN OLD BUM? 316 00:25:06,205 --> 00:25:09,308 CAN YOU IMAGINE WHAT YOU'LL LOOK LIKE THEN? 317 00:25:09,341 --> 00:25:12,812 I CAN ALREADY PICTURE YOU IN THE GUTTER. 318 00:25:12,845 --> 00:25:15,782 OK, I'LL REPLACE YOU. 319 00:25:31,397 --> 00:25:32,398 HA! MAMA! 320 00:25:32,431 --> 00:25:36,769 WHAT'S THE MATTER WITH YOU? IT'S ME, IDIOT! 321 00:25:36,803 --> 00:25:39,739 "MAMA" IS GONNA GIVE YOU A SPANKING 322 00:25:39,772 --> 00:25:42,074 IF YOU KEEP THIS UP. 323 00:25:55,722 --> 00:25:56,789 Announcer: AND HERE SHE IS... 324 00:25:56,823 --> 00:26:01,794 THE QUEEN OF SEX APPEAL, THE UNFORGETTABLE BLUE ANGEL, 325 00:26:01,828 --> 00:26:04,897 THE DIVINE MARLENE! 326 00:26:18,645 --> 00:26:20,813 OH, NO. 327 00:26:23,415 --> 00:26:25,785 IT SEEMS TO BE WORKING. 328 00:26:25,818 --> 00:26:29,288 IT'S NOT SO BAD, REALLY. 329 00:26:31,758 --> 00:26:35,594 * AND DRIVE YOU SO INSANE 330 00:26:35,628 --> 00:26:39,265 * WITH MY SWEET CARESS 331 00:26:40,633 --> 00:26:44,170 * LOOK AT MY BODY 332 00:26:44,203 --> 00:26:49,475 * IT'S WAITING FOR YOU 333 00:26:49,508 --> 00:26:53,512 * FOLLOW MY EYES, YES 334 00:26:53,545 --> 00:26:57,449 * BURNING YOU THROUGH 335 00:26:57,483 --> 00:27:00,820 * DARLING, I'LL WAIT FOR YOU * 336 00:27:00,853 --> 00:27:05,457 * SO, I WILL BE THERE 337 00:27:05,491 --> 00:27:09,829 * COME CLOSER TO ME 338 00:27:17,737 --> 00:27:21,674 BRAVO! A REAL SUCCESS. THAT WAS A GREAT IDEA. 339 00:27:21,708 --> 00:27:23,342 BEHIND THE PILLAR THERE! 340 00:27:23,375 --> 00:27:26,212 IT'S ONE OF THE MEN WE SAW AT THE HOTEL. 341 00:27:26,245 --> 00:27:31,550 YOU'RE IMAGINING THINGS. GO TAKE A BOW. 342 00:27:40,559 --> 00:27:43,495 I'LL NEVER DRESS LIKE A WOMAN AGAIN! 343 00:27:43,529 --> 00:27:47,700 LOOK, I'M STILL SHAKING. PROTECT ME, RENATO! 344 00:27:47,734 --> 00:27:50,302 I'VE GOT TO HIDE! THEY'RE GOING TO FIND ME. 345 00:27:50,336 --> 00:27:55,507 I DON'T WANT TO GO TO JAIL, RENATO! 346 00:28:19,766 --> 00:28:22,001 ISN'T THAT A BIT FEMININE? 347 00:28:22,034 --> 00:28:23,569 FEMININE? 348 00:28:23,602 --> 00:28:25,704 THEY'RE CARPENTER'S PANTS. 349 00:28:25,738 --> 00:28:29,175 BUT VELVET FOR A MAN, IT COULD SUGGEST... 350 00:28:29,208 --> 00:28:31,878 DO YOU HAVE SOMETHING MORE...CRUDE? 351 00:28:31,911 --> 00:28:34,413 CRUDE? 352 00:28:53,432 --> 00:28:55,234 FAGGOT! 353 00:29:08,414 --> 00:29:10,682 IS THAT HE? 354 00:29:11,417 --> 00:29:12,551 WHO? ZAZA NAPOLI? 355 00:29:12,584 --> 00:29:16,989 DON'T BE SILLY! ARE YOU KIDDING? 356 00:29:17,023 --> 00:29:18,657 WHO IS IT? 357 00:29:18,690 --> 00:29:20,126 WHO IS IT? 358 00:29:20,159 --> 00:29:23,695 IT'S MAURICE. 359 00:29:24,096 --> 00:29:26,833 THE WINDOW WASHER. OH, MAURICE. 360 00:29:28,700 --> 00:29:30,136 HOW ARE YOU, MAURICE? 361 00:29:30,169 --> 00:29:32,671 FINE, MR. BALDI. 362 00:29:32,704 --> 00:29:35,808 GOOD. HOW'S THE FAMILY? 363 00:29:38,044 --> 00:29:40,779 DO YOU KNOW HOW MANY KIDS HE HAS? 364 00:29:40,813 --> 00:29:41,647 GUESS. 365 00:29:41,680 --> 00:29:43,816 HOW MANY? 366 00:29:43,850 --> 00:29:45,784 8. 367 00:29:45,818 --> 00:29:46,853 AND HIS WIFE 368 00:29:46,886 --> 00:29:49,021 IS EXPECTING ANOTHER. RIGHT, MAURICE? 369 00:29:49,055 --> 00:29:53,893 YOU CAN'T SAY THAT WE HAVEN'T BEEN TRYING. 370 00:29:55,394 --> 00:29:57,096 OUCH, THAT HURTS! 371 00:29:57,129 --> 00:30:01,901 DON'T JUST STAND THERE, GET TO WORK. 372 00:30:07,673 --> 00:30:10,476 WHERE SHOULD I START? HERE, OR THERE? 373 00:30:10,509 --> 00:30:12,511 WHEREVER. 374 00:30:13,145 --> 00:30:14,646 IT'S YOUR WORK. 375 00:30:14,680 --> 00:30:15,882 OK, OK. 376 00:30:23,055 --> 00:30:24,356 SO HE JUST DISAPPEARED? 377 00:30:24,390 --> 00:30:28,861 LIKE I TOLD YOU, LAST NIGHT AT DINNER, WE QUARRELED. 378 00:30:28,895 --> 00:30:30,396 WE BEGAN TO SHOUT. 379 00:30:30,429 --> 00:30:31,898 AND HE THREW A PLATE AT ME. 380 00:30:31,931 --> 00:30:36,335 THEN HE GOT UP AND LEFT, SLAMMING THE DOOR BEHIND HIM! 381 00:30:36,368 --> 00:30:38,670 DON'T LIE TO US, MR. BALDI. 382 00:30:38,704 --> 00:30:42,641 I'M NOT LYING. IF I KNEW WHERE HE WAS, I'D TELL YOU. 383 00:30:42,674 --> 00:30:45,144 LIKE I SAID, WE'VE BEEN HAVING PROBLEMS. 384 00:30:45,177 --> 00:30:48,314 THAT HAPPENS TO COUPLES, RIGHT? 385 00:30:48,347 --> 00:30:51,217 YEAH, UNFORTUNATELY, 386 00:30:51,250 --> 00:30:53,052 THAT DOES HAPPEN. 387 00:30:53,085 --> 00:30:54,720 MAURICE, THE WINDOWS. 388 00:30:54,753 --> 00:30:59,258 HEY, WHAT AM I? A WORK HORSE? 389 00:31:06,933 --> 00:31:10,102 I CUT MYSELF! 390 00:31:10,136 --> 00:31:14,073 I'M BLEEDING. I'M BLEEDING. LOOK. 391 00:31:18,077 --> 00:31:19,878 HA HA HA HA! 392 00:31:19,912 --> 00:31:21,747 OH, MISTRESS! 393 00:31:21,780 --> 00:31:23,115 HA HA HA! 394 00:31:23,149 --> 00:31:29,321 GET OUT OF HERE. HURRY AND GET THE FIRST AID KIT. 395 00:31:29,788 --> 00:31:33,725 I'M INNOCENT. I SWEAR I DIDN'T DO ANYTHING. 396 00:31:33,759 --> 00:31:38,264 DON'T SEND ME TO PRISON, I BEG YOU, INSPECTOR. 397 00:31:38,297 --> 00:31:40,699 THEY'RE NOT FROM THE POLICE. 398 00:31:40,732 --> 00:31:44,736 THEY'RE SECRET AGENTS. 399 00:31:46,805 --> 00:31:50,376 DID THE GUY WHO LURED YOU TO THE HOTEL GIVE YOU ANYTHING? 400 00:31:50,409 --> 00:31:51,810 WHAT? 401 00:31:51,843 --> 00:31:54,813 A SMALL CAPSULE? 402 00:31:55,948 --> 00:31:57,249 A CAPSULE? 403 00:31:57,283 --> 00:32:00,586 HE WAS A FOREIGN AGENT WHO HAD COME OVER TO OUR SIDE. 404 00:32:00,619 --> 00:32:04,323 HE WAS ABOUT TO GIVE US A MICROFILM. 405 00:32:05,424 --> 00:32:07,759 OH, MY GOD. 406 00:32:07,793 --> 00:32:08,494 SHOW ME YOUR HAND. 407 00:32:08,527 --> 00:32:10,929 I HAVE 5 FINGERS LIKE EVERYONE. 408 00:32:10,963 --> 00:32:12,798 THERE'S NOTHING THERE, YOU NINNY. 409 00:32:12,831 --> 00:32:15,867 YOU'VE GOT TO HELP US, MOUGEOTTE. 410 00:32:16,868 --> 00:32:19,138 HELP YOU? DO WHAT? 411 00:32:19,171 --> 00:32:20,739 BRING THEM INTO THE OPEN. 412 00:32:20,772 --> 00:32:23,976 THEY OBVIOUSLY THINK YOU HAVE THE MICROFILM. 413 00:32:24,010 --> 00:32:26,812 YOU HAVE TO PUT THEM ON YOUR TRACK. 414 00:32:29,982 --> 00:32:31,117 HOW? 415 00:32:31,150 --> 00:32:33,952 SO YOU'RE GOING TO DRESS LIKE A WOMAN AGAIN, 416 00:32:33,986 --> 00:32:34,820 IN THE SAME WIG, 417 00:32:34,853 --> 00:32:37,889 AND SHOW YOURSELF AROUND TOWN. 418 00:32:39,191 --> 00:32:41,827 THAT'LL BRING THEM INTO THE OPEN. 419 00:32:41,860 --> 00:32:42,828 NO. 420 00:32:42,861 --> 00:32:43,662 NOT A CHANCE. 421 00:32:43,695 --> 00:32:46,265 ALBIN CAN'T DO SUCH A THING. 422 00:32:46,298 --> 00:32:48,867 SHALL I CALL THE POLICE? 423 00:32:49,701 --> 00:32:50,536 NO. 424 00:32:50,569 --> 00:32:53,005 YOU CAN TELL THEM WHY YOU WERE 425 00:32:53,039 --> 00:32:55,974 IN A HOTEL ROOM WITH 2 CORPSES. 426 00:32:59,845 --> 00:33:00,846 LIFE IS FUNNY. 427 00:33:00,879 --> 00:33:03,982 FOR YEARS I'VE HAD PROBLEMS WITH THE POLICE 428 00:33:04,016 --> 00:33:06,052 FOR DRESSING LIKE A WOMAN. 429 00:33:06,085 --> 00:33:09,655 AND WHEN I DECIDE TO START DRESSING LIKE A MAN, 430 00:33:09,688 --> 00:33:13,792 THE POLICE INSIST I DRESS LIKE A WOMAN. 431 00:33:13,825 --> 00:33:16,028 THE ABSURDITY OF THINGS. 432 00:33:16,062 --> 00:33:20,032 HURRY. THEY'LL BE HERE ANY MINUTE. 433 00:33:20,066 --> 00:33:21,833 RENATO... 434 00:33:21,867 --> 00:33:25,871 ARE CYANIDE DARTS VERY PAINFUL? 435 00:33:25,904 --> 00:33:28,840 WHAT AN IDEA! DON'T BE SILLY. 436 00:33:28,874 --> 00:33:31,177 EVERYTHING WILL BE FINE. 437 00:33:31,210 --> 00:33:32,911 YOU THINK SO? 438 00:33:32,944 --> 00:33:35,347 I'M POSITIVE. 439 00:34:02,574 --> 00:34:03,709 IS SHE READY? 440 00:34:03,742 --> 00:34:06,044 ALMOST. I'M GOING WITH HIM. 441 00:34:06,078 --> 00:34:07,079 IT'S NOT NECESSARY. 442 00:34:07,113 --> 00:34:12,151 THERE'S NO WAY I WOULD LET HIM GO ALONE. 443 00:34:32,338 --> 00:34:35,141 THIS COULD BE MY LAST. 444 00:34:37,143 --> 00:34:38,110 LET'S GO. 445 00:34:38,144 --> 00:34:40,912 EH, MONSIEUR MOUGEOTTE. 446 00:34:40,946 --> 00:34:44,950 YOUR HAIR WASN'T LIKE THAT BEFORE. 447 00:34:44,983 --> 00:34:47,653 THIS IS A LITTLE MORE FORMAL. 448 00:34:47,686 --> 00:34:49,955 WE WANT THEM TO RECOGNIZE YOU. 449 00:34:49,988 --> 00:34:53,425 WHAT'S HE DOING? IS HE CRAZY? 450 00:34:55,161 --> 00:34:57,329 JUST LOOK AT THAT. 451 00:34:58,597 --> 00:35:03,001 SO, BROCA, YOU DON'T LIKE ME LIKE THIS? 452 00:35:07,139 --> 00:35:10,008 MR. BROCA, WHERE ARE WE OFF TO? 453 00:35:10,041 --> 00:35:12,010 A BIRTHDAY PARTY. VERY CHIC. 454 00:35:12,043 --> 00:35:14,146 ALL THE PRESS WILL BE THERE. 455 00:35:14,180 --> 00:35:16,014 THIS ISN'T DRESSY ENOUGH. 456 00:35:16,047 --> 00:35:18,984 IT'S JUST A LITTLE NOTHING I GOT ON SALE. 457 00:35:19,017 --> 00:35:22,921 YOU SHOULD HAVE TOLD ME. I'D HAVE WORN--I DON'T KNOW. 458 00:35:22,954 --> 00:35:25,023 YOU LOOK FINE. 459 00:35:25,056 --> 00:35:28,327 THE MAIN THING IS TO ATTRACT ATTENTION. 460 00:35:28,360 --> 00:35:30,962 AND WE'LL SEE TO THAT. 461 00:35:40,005 --> 00:35:42,841 HAPPY BIRTHDAY, MR. MANDERSTAM. 462 00:35:42,874 --> 00:35:45,211 MR. DEPUTY. 463 00:36:02,060 --> 00:36:03,829 Albin: I SHOULDN'T HAVE COME. 464 00:36:03,862 --> 00:36:05,664 WHAT KIND OF CAKE IS IT? 465 00:36:05,697 --> 00:36:06,632 MERINGUE. 466 00:36:06,665 --> 00:36:07,966 OH, MERINGUE. YOU DON'T EXPECT ME 467 00:36:07,999 --> 00:36:11,203 TO GET IN THERE, DO YOU? 468 00:36:11,237 --> 00:36:13,672 DON'T WORRY, YOU'LL STILL BE PAID. 469 00:36:13,705 --> 00:36:16,208 YOU CAN GO HOME NOW. 470 00:36:17,108 --> 00:36:21,247 A MERINGUE! CAN YOU BELIEVE IT? 471 00:36:24,250 --> 00:36:27,253 IT'S NOT EVEN MY SIZE. 472 00:36:27,286 --> 00:36:29,488 NO, IT'S NOT MY SIZE. 473 00:36:29,521 --> 00:36:31,022 GET IN. 474 00:36:31,056 --> 00:36:33,191 TAKE MY BAG AND GLOVES. 475 00:36:33,225 --> 00:36:36,027 WHAT AN ADVENTURE! 476 00:36:43,134 --> 00:36:45,003 I'M AFRAID. 477 00:36:45,036 --> 00:36:45,837 RENATO... 478 00:36:45,871 --> 00:36:48,206 DON'T LEAVE ME. 479 00:36:51,410 --> 00:36:56,214 THAT'S ENOUGH! I'LL SUFFOCATE IN THERE! 480 00:36:56,715 --> 00:36:59,485 I'M AFRAID OF THE DARK. 481 00:37:00,085 --> 00:37:01,119 BESIDES, I'M A DIABETIC. 482 00:37:01,152 --> 00:37:03,389 NOBODY'S ASKING YOU TO EAT IT! 483 00:37:03,422 --> 00:37:08,260 I WON'T GET ENOUGH AIR IN THERE! 484 00:37:10,829 --> 00:37:13,131 COULDN'T WE LEAVE THE TOP OFF? 485 00:37:13,164 --> 00:37:15,267 NO. NO. 486 00:37:18,470 --> 00:37:25,477 MAY I HAVE YOUR ATTENTION, PLEASE. 487 00:37:25,777 --> 00:37:30,081 THE TIME HAS COME FOR US TO TELL OUR FRIEND 488 00:37:30,115 --> 00:37:33,619 ANDREW MANDERSTAM... 489 00:37:33,652 --> 00:37:36,755 ALL THE ROTTEN THINGS WE THINK ABOUT HIM. 490 00:37:38,957 --> 00:37:41,059 MR. MANDERSTAM 491 00:37:41,092 --> 00:37:43,061 IS THAT AMERICAN CHAP 492 00:37:43,094 --> 00:37:47,165 WHO SETTLED IN FRANCE SOME 15 YEARS AGO 493 00:37:47,198 --> 00:37:52,338 HERE IN THIS TOWN, OF WHICH I AM THE DEPUTY. 494 00:37:52,371 --> 00:37:54,506 HE HAS FOUND 495 00:37:54,540 --> 00:37:58,877 2 MEANS OF ATTRACTING ATTENTION: 496 00:37:59,345 --> 00:38:01,747 HIS GENEROSITY 497 00:38:01,780 --> 00:38:04,316 AND HIS KINDNESS. 498 00:38:15,126 --> 00:38:16,362 LET'S GO! 499 00:38:16,395 --> 00:38:18,497 Albin: ARE YOU THERE, RENATO? 500 00:38:18,530 --> 00:38:19,297 YES, I'M HERE. 501 00:38:19,331 --> 00:38:21,900 EVERYTHING'S GOING TO BE FINE. 502 00:38:23,369 --> 00:38:25,371 ALBIN, YOU NEED TO GO BACK ON A DIET. 503 00:38:25,404 --> 00:38:30,509 Albin: THAT'S A NICE THING TO SAY IN FRONT OF THE CHEFS! 504 00:38:54,600 --> 00:38:58,370 ALBIN, IT'S CHARRIER! 505 00:38:58,404 --> 00:39:00,672 Albin: OH, MY GOD! 506 00:39:05,577 --> 00:39:09,247 MY SON'S FATHER-IN-LAW IS CHARRIER, THE DEPUTY. 507 00:39:09,280 --> 00:39:10,982 WE PROMISED HIM WE'D NEVER 508 00:39:11,016 --> 00:39:13,552 SHOW OUR FACES IN FRONT OF HIM. 509 00:39:13,585 --> 00:39:14,420 SHH. 510 00:39:14,453 --> 00:39:16,354 HE'S IN THE MIDDLE OF HIS CAMPAIGN. 511 00:39:16,388 --> 00:39:19,057 WE'LL RUIN HIS CAREER! 512 00:39:31,236 --> 00:39:33,672 MY DEAR ANDREW, 513 00:39:33,705 --> 00:39:37,609 OUR ENTIRE TOWN WISHES YOU TODAY 514 00:39:37,643 --> 00:39:40,045 HAPPY BIRTHDAY. 515 00:39:40,078 --> 00:39:44,450 OUR TOWN WANTED TO GIVE A BIRTHDAY PARTY 516 00:39:44,483 --> 00:39:46,384 AMERICAN STYLE 517 00:39:46,418 --> 00:39:50,255 TO ITS AMERICAN BENEFACTOR. 518 00:40:19,651 --> 00:40:23,789 A LITTLE TECHNICAL PROBLEM, IT SEEMS. 519 00:40:23,822 --> 00:40:28,326 USUALLY, THERE'S-- THERE'S A SURPRISE IN THERE. 520 00:40:28,359 --> 00:40:33,431 IT SEEMS OUR "SURPRISE" DIDN'T HEAR THE ORCHESTRA. 521 00:40:33,465 --> 00:40:35,767 THE "SURPRISE." 522 00:40:38,169 --> 00:40:39,638 MY DEAR ANDREW, 523 00:40:39,671 --> 00:40:42,841 HAPPY BIRTHDAY! 524 00:40:58,657 --> 00:40:59,758 HEH HEH HEH. 525 00:40:59,791 --> 00:41:02,661 IT SEEMS OUR "SURPRISE" HAS FALLEN ASLEEP. 526 00:41:06,565 --> 00:41:09,367 WE'RE READY, MISS! 527 00:41:10,168 --> 00:41:14,105 MAYBE SHE CAN'T HEAR WITH ALL THAT CREAM. 528 00:41:14,139 --> 00:41:17,676 IT'S SUCH A RICH CAKE. 529 00:41:18,710 --> 00:41:20,546 HA HA HA HA. 530 00:41:25,717 --> 00:41:30,221 I'VE NEVER GONE TO THE RESCUE OF A CAKE BEFORE! 531 00:41:38,597 --> 00:41:42,200 NO ONE'S THERE! 532 00:41:42,233 --> 00:41:44,570 SHE'S NOT THERE. 533 00:41:55,213 --> 00:41:57,616 AAAH! 534 00:42:11,597 --> 00:42:16,101 Jacob: POOR MISTRESS. SHE'S GOING TO DIE. 535 00:42:16,134 --> 00:42:19,237 SHE'S GOING TO DIE! 536 00:42:20,639 --> 00:42:23,742 WOULD YOU SHUT UP, JACOB? 537 00:42:24,643 --> 00:42:27,445 JACOB, FOR HEAVEN'S SAKE! 538 00:42:27,478 --> 00:42:31,917 HELLO? SORRY, I CAN'T HEAR A THING. 539 00:42:31,950 --> 00:42:36,454 COULD YOU COME RIGHT OVER? 540 00:42:36,487 --> 00:42:39,725 IT'S AN EMERGENCY, DOCTOR. 541 00:44:09,480 --> 00:44:11,717 THIS WAY, DOCTOR. 542 00:44:11,750 --> 00:44:13,518 HE JUST FELL ASLEEP. 543 00:44:13,551 --> 00:44:17,488 HE HAD A TERRIBLE SHOCK YESTERDAY. 544 00:44:17,522 --> 00:44:20,358 HE'S VERY SICK. 545 00:44:23,361 --> 00:44:24,029 ALBIN? 546 00:44:24,062 --> 00:44:27,498 THE DOCTOR'S HERE. 547 00:44:31,602 --> 00:44:36,174 YOU'D BETTER TAKE HIS BLOOD PRESSURE. 548 00:44:36,207 --> 00:44:40,779 AND GIVE HIM SOMETHING FOR HIS HEART. 549 00:44:42,580 --> 00:44:46,151 I'M SO AFRAID HE MIGHT LET HIMSELF DIE. 550 00:44:46,184 --> 00:44:48,954 I'LL TAKE CARE OF IT. 551 00:45:36,768 --> 00:45:38,569 STOP CRYING. IT'S ANNOYING. 552 00:45:38,603 --> 00:45:42,140 POOR MISTRESS. SHE WAS SO NICE. 553 00:45:42,173 --> 00:45:43,208 SHE'S NOT DEAD YET. 554 00:45:43,241 --> 00:45:46,845 GO DO THE SHOPPING. WHAT A PAIN! 555 00:45:54,786 --> 00:45:58,389 CONGRATULATIONS. YOU REALLY DID A GREAT JOB! 556 00:45:58,423 --> 00:46:00,892 HIS PHOTO'S IN EVERY NEWSPAPER. 557 00:46:00,926 --> 00:46:02,928 THE DOCTOR IS WITH HIM. 558 00:46:02,961 --> 00:46:06,597 I HOPE HE'LL BE ABLE TO PULL HIM THROUGH. 559 00:46:16,942 --> 00:46:19,477 THE MICROFILM. 560 00:46:19,510 --> 00:46:21,346 THE MICROFILM. 561 00:46:21,379 --> 00:46:24,582 IS THAT YOU? IS THAT YOU, RENATO? 562 00:46:24,615 --> 00:46:29,821 IS THAT YOU, HONEY? 563 00:46:45,236 --> 00:46:46,704 AAH! 564 00:46:46,737 --> 00:46:47,805 WHAT'S THAT? 565 00:46:47,839 --> 00:46:51,977 NOTHING. AN INJECTION. ALBIN HATES INJECTIONS. 566 00:46:52,010 --> 00:46:54,045 AAAH! 567 00:46:54,913 --> 00:46:57,648 THE MICROFILM. 568 00:47:01,152 --> 00:47:04,722 I'LL KNOCK HIM BACK INTO SHAPE! 569 00:47:05,857 --> 00:47:07,458 YOU CAN'T GO IN THERE. 570 00:47:07,492 --> 00:47:08,726 LET ME THROUGH. 571 00:47:08,759 --> 00:47:10,295 NO. IT'S OUR BEDROOM. 572 00:47:10,328 --> 00:47:13,731 HE'S WITH THE DOCTOR. LEAVE HIM ALONE, DAMN IT! 573 00:47:13,764 --> 00:47:17,002 YOU'RE BEGINNING TO BUG ME! 574 00:47:18,937 --> 00:47:20,705 WHO LOCKED THE DOOR? 575 00:47:20,738 --> 00:47:22,740 NO. 576 00:47:47,698 --> 00:47:50,902 Albin: NO, NOT THAT. 577 00:47:50,936 --> 00:47:54,672 "WHEN ONE IS PRESIDENT OF THE UNION FOR MORAL ORDER, 578 00:47:54,705 --> 00:47:59,044 "ONE TRIES TO PLAY DOWN ANY TIES WITH LA CAGE AUX FOLLES. 579 00:47:59,077 --> 00:48:01,346 "BY PUTTING A TRANSVESTITE 580 00:48:01,379 --> 00:48:04,115 "IN MR. MANDERSTAM'S BIRTHDAY CAKE, 581 00:48:04,149 --> 00:48:08,920 "CHARRIER ADDED INDECENCY TO THE RIDICULOUS. 582 00:48:08,954 --> 00:48:10,922 THE VOTERS WILL PASS JUDGMENT" 583 00:48:10,956 --> 00:48:15,626 THAT, GENTLEMEN, IS HOW YOU CONDEMN A MAN TO DEATH. 584 00:48:16,294 --> 00:48:19,130 AN ARTICLE LIKE THAT 585 00:48:19,164 --> 00:48:22,133 IS THE COUP DE GRÖCE! 586 00:48:22,167 --> 00:48:24,936 WE'LL MAKE THE BASTARD EAT HIS NEWSPAPER! 587 00:48:24,970 --> 00:48:26,071 NO. NO, GENTLEMEN, 588 00:48:26,104 --> 00:48:30,741 THE JOURNALISTS AREN'T THE GUILTY ONES. 589 00:48:30,775 --> 00:48:32,978 THE GUILTY ONES 590 00:48:33,011 --> 00:48:36,314 ARE THOSE 2 PEOPLE WHO ARE BRINGING DISHONOR 591 00:48:36,347 --> 00:48:40,218 TO THE RIVIERA WITH THEIR FILTHY NIGHTCLUB! 592 00:48:40,251 --> 00:48:42,320 THAT DEPRAVED ITALIAN 593 00:48:42,353 --> 00:48:46,591 AND THAT FRENCHMAN WHO IS AN AFFRONT TO HIS RACE. 594 00:48:46,624 --> 00:48:52,130 THOSE TWO--THEY ARE THE GUILTY ONES! 595 00:48:53,131 --> 00:48:55,967 WE'LL BUST THEIR FACES IN! 596 00:48:56,001 --> 00:48:59,971 WE'LL TEACH THOSE FAGGOTS THE FACTS OF LIFE! 597 00:49:08,779 --> 00:49:10,115 EXCUSE ME. 598 00:49:10,148 --> 00:49:12,183 CAN WE GET THE RUG BACK? 599 00:49:12,217 --> 00:49:16,821 WE'LL HAVE IT CLEANED, THEN SEND IT BACK AS USUAL. 600 00:49:16,854 --> 00:49:18,789 Albin: I CAN'T TAKE IT ANYMORE. 601 00:49:18,823 --> 00:49:19,824 ALL THESE CORPSES. 602 00:49:37,042 --> 00:49:41,846 S.O.S. MEDICAL. I'M DR. BOQUILLON. 603 00:49:47,852 --> 00:49:49,287 OH, MICHAUX. 604 00:49:49,320 --> 00:49:50,355 Michaux: YES? 605 00:49:50,388 --> 00:49:52,790 THERE'S GONNA BE ANOTHER TRIP. 606 00:49:52,823 --> 00:49:54,259 OK. 607 00:49:55,060 --> 00:49:57,862 DO YOU HAVE ANOTHER RUG? 608 00:49:58,196 --> 00:49:59,997 NO, NO MORE RUGS! 609 00:50:00,031 --> 00:50:02,567 DO YOUR DIRTY WORK SOMEWHERE ELSE. 610 00:50:02,600 --> 00:50:05,870 Albin: WOULD YOU TAKE ME HOME, PLEASE? 611 00:50:05,903 --> 00:50:07,072 WHAT? 612 00:50:07,738 --> 00:50:12,077 I WANT YOU TO TAKE ME HOME NOW. 613 00:50:13,111 --> 00:50:15,880 BUT YOU ARE HOME, DARLING. 614 00:50:15,913 --> 00:50:19,750 DON'T YOU RECOGNIZE OUR LIVING ROOM? 615 00:50:21,519 --> 00:50:24,422 LOOK AT WHAT YOU'VE DONE TO HIM! 616 00:50:24,455 --> 00:50:25,856 IF YOU KEEP THIS UP, 617 00:50:25,890 --> 00:50:28,926 THE NEXT RUG WILL BE FOR HIM! 618 00:50:28,959 --> 00:50:31,096 HE HAS NOTHING TO FEAR. 619 00:50:31,129 --> 00:50:33,198 WE'RE GOING TO TAKE CARE OF HIM. 620 00:50:33,231 --> 00:50:35,500 FROM NOW ON, WE DON'T LEAVE HIS SIDE. 621 00:50:35,533 --> 00:50:40,905 WE'LL PROTECT HIM, DISCREETLY, UNTIL THE GUYS SHOW THEMSELVES. 622 00:50:40,938 --> 00:50:42,673 DO YOU UNDERSTAND, MEN? 623 00:50:42,707 --> 00:50:47,278 CLOSE SURVEILLANCE, BUT DISCREET. 624 00:50:56,987 --> 00:50:58,923 YOU THINK THAT'S DISCREET? 625 00:50:58,956 --> 00:51:02,393 DON'T PAY ATTENTION TO US. GO ON. 626 00:51:10,901 --> 00:51:13,003 AAH! OOH! 627 00:51:22,147 --> 00:51:24,081 SO MUCH FOR DISCRETION. 628 00:51:24,115 --> 00:51:25,783 IT'S A NATURAL REFLEX. 629 00:51:25,816 --> 00:51:28,386 TO GET THEM OUT IN THE OPEN, 630 00:51:28,419 --> 00:51:31,689 YOU'LL HAVE TO CHANGE YOUR TACTICS. 631 00:51:34,359 --> 00:51:37,995 NO, THAT'S NOT HIM. 632 00:51:39,164 --> 00:51:43,734 LET'S TRY SOMETHING ELSE. THE MAUVE, PERHAPS. 633 00:51:43,768 --> 00:51:45,736 NO, I WON'T WEAR THAT. 634 00:51:45,770 --> 00:51:48,038 DON'T ARGUE, MICHAUX! 635 00:51:49,140 --> 00:51:50,141 SHUT UP! 636 00:51:50,175 --> 00:51:53,144 WHAT ABOUT THE ONE WITH THE MOUSTACHE? 637 00:51:53,178 --> 00:51:54,679 I SEE HIM IN MY CAFTAN. 638 00:51:54,712 --> 00:51:56,981 HE LOOKS LIKE A TURK. 639 00:51:57,014 --> 00:51:58,783 HA HA! A TURK! 640 00:51:58,816 --> 00:52:01,586 AND THE YOUNG ONE THERE, HE'S LIKE ME. 641 00:52:01,619 --> 00:52:03,154 HE CAN WEAR ANYTHING. 642 00:52:03,188 --> 00:52:05,190 CUTE, ISN'T HE? 643 00:52:05,223 --> 00:52:08,193 NOT REALLY. 644 00:52:17,868 --> 00:52:20,671 COME ON, COME ON. 645 00:52:23,007 --> 00:52:24,141 STOP, STOP, NO. 646 00:52:24,175 --> 00:52:27,345 NO, THAT'LL NEVER DO! 647 00:52:27,378 --> 00:52:29,214 YOU NEED TO MAKE AN EFFORT 648 00:52:29,247 --> 00:52:32,550 TO BE WORTHY OF THESE CLOTHES. 649 00:52:32,583 --> 00:52:37,054 PRETEND YOU'RE WALKING A TIGHTROPE. 650 00:52:40,891 --> 00:52:45,029 AND YOU, YOU WALK LIKE THIS. IT'S UNATTRACTIVE. 651 00:52:45,062 --> 00:52:46,631 LISTEN TO ME. 652 00:52:46,664 --> 00:52:49,033 DRAW AN IMAGINARY LINE, 653 00:52:49,066 --> 00:52:53,037 A LINE THAT SEPARATES MAN FROM WOMAN. 654 00:52:53,070 --> 00:52:57,208 YOU JUST HAVE TO WALK ON IT, LIKE THIS. 655 00:53:00,110 --> 00:53:01,579 YOU HAVE TO LEARN TO MOVE 656 00:53:01,612 --> 00:53:04,982 AS GRACEFULLY AND LIGHTLY AS MY MARVELOUS ALBIN. 657 00:53:05,015 --> 00:53:06,551 RIGHT? 658 00:53:06,584 --> 00:53:08,753 THANK YOU, MY SWEET. 659 00:53:08,786 --> 00:53:11,989 NOW LET'S SEE. WE CAN START WITH HIM--LOUIS. 660 00:53:12,022 --> 00:53:16,227 HE LOOKS LIKE THE MOST GIFTED. 661 00:53:21,065 --> 00:53:24,602 A LITTLE LIGHTER. HOLD THE HANDS HIGHER. 662 00:53:25,603 --> 00:53:29,640 NO, I CAN'T. I'M SORRY, BUT I JUST CAN'T DO IT. 663 00:53:30,107 --> 00:53:33,210 IT'S IMPOSSIBLE. THESE ARE FLOOZIES' CLOTHES! 664 00:53:33,244 --> 00:53:35,446 Albin: THEY ARE NOT FLOOZIES' CLOTHES! 665 00:53:35,480 --> 00:53:38,349 ALL THE ELEGANT MEN ARE WEARING THEM. 666 00:53:38,383 --> 00:53:41,051 AND IF WE'RE TRYING TO GIVE YOU 667 00:53:41,085 --> 00:53:42,453 THE GRACE YOU LACK, 668 00:53:42,487 --> 00:53:45,723 IT'S FOR THE BENEFIT OF THIS MISSION, MADAME. 669 00:53:45,756 --> 00:53:47,057 HE'S RIGHT. WE'VE STARTED, 670 00:53:47,091 --> 00:53:50,094 AND WE'RE GOING TO SEE IT THROUGH! 671 00:53:50,127 --> 00:53:52,397 CARRY ON. 672 00:53:54,465 --> 00:53:57,067 I'M A MARRIED MAN WITH 2 CHILDREN! 673 00:53:57,101 --> 00:53:59,136 IT'S AN ORDER! DON'T BE STUPID. 674 00:53:59,169 --> 00:54:02,273 YOU'RE UP FOR A PROMOTION. 675 00:54:04,074 --> 00:54:05,276 NO LONG FACES NOW. 676 00:54:05,310 --> 00:54:09,113 ALL TOGETHER NOW. LINE UP WITH ME. 677 00:54:10,981 --> 00:54:14,619 ABOUT FACE. 678 00:54:14,652 --> 00:54:16,387 FORWARD... 679 00:54:16,421 --> 00:54:17,922 MARCH! 680 00:54:23,994 --> 00:54:28,299 RELAX YOUR WRIST. LET IT HANG. 681 00:54:28,333 --> 00:54:29,066 AHH. OOH! 682 00:54:29,099 --> 00:54:32,303 AND LOOK AT THE MEN AS THEY PASS. 683 00:54:32,337 --> 00:54:35,306 MMM. HE'S SO HANDSOME. 684 00:54:35,340 --> 00:54:36,641 LOOK AT MILAN. 685 00:54:36,674 --> 00:54:37,975 HE'S GOT REAL TALENT. 686 00:54:38,008 --> 00:54:38,776 WHOO-HOO! 687 00:54:38,809 --> 00:54:42,179 A LITTLE TOO MUCH TALENT, PERHAPS. 688 00:54:52,357 --> 00:54:54,725 HELLO, GIRLS. 689 00:55:04,702 --> 00:55:06,771 EXCUSE ME. 690 00:55:06,804 --> 00:55:07,938 FAG. 691 00:55:07,972 --> 00:55:09,173 I SAID EXCUSE ME. 692 00:55:09,206 --> 00:55:11,308 AND I SAID FAG. 693 00:55:11,342 --> 00:55:13,210 EXCUSE ME. 694 00:55:13,243 --> 00:55:15,145 FAG. 695 00:55:29,527 --> 00:55:31,896 WHAT DID YOU SAY? 696 00:55:31,929 --> 00:55:35,533 UM...RENATO, DON'T ANSWER. 697 00:55:35,566 --> 00:55:38,268 COME ON. 698 00:55:40,371 --> 00:55:43,408 HEY, JUST A MINUTE. WHERE ARE YOU GOING? 699 00:55:43,441 --> 00:55:45,209 HE'S LOOKING FOR A FIGHT. 700 00:55:45,242 --> 00:55:47,678 DON'T ANSWER. 701 00:55:52,683 --> 00:55:55,386 THAT'S ENOUGH NOW. 702 00:55:55,420 --> 00:55:58,423 I'M WARNING YOU. THERE'LL BE TROUBLE. 703 00:55:58,456 --> 00:56:03,394 THESE GIRLS ARE REALLY SCARING US. 704 00:56:07,598 --> 00:56:10,367 I ADVISE YOU TO LET US PASS. 705 00:56:10,401 --> 00:56:12,403 LOOK HOW SHE CLENCHES HER FISTS. 706 00:56:12,437 --> 00:56:15,573 I'LL BET SHE CAN REALLY SCRATCH. 707 00:56:15,606 --> 00:56:17,442 HEH HEH. 708 00:56:18,909 --> 00:56:21,178 LET US THROUGH, PLEASE. 709 00:56:21,211 --> 00:56:23,080 GO ON. 710 00:56:23,113 --> 00:56:25,616 OH! UHH! 711 00:56:28,052 --> 00:56:30,020 THE LITTLE THING'S NERVOUS. 712 00:56:30,054 --> 00:56:34,124 I'LL CALM HER. 713 00:56:38,262 --> 00:56:41,632 OH! OH! 714 00:56:45,736 --> 00:56:49,607 OH! OH. OH, NO. 715 00:56:50,941 --> 00:56:54,378 I'M FED UP WITH ALL THIS BRUTALITY, 716 00:56:54,411 --> 00:56:58,449 THIS VIOLENCE. 717 00:56:58,483 --> 00:56:59,316 MY LORD. 718 00:56:59,349 --> 00:57:01,452 IT'LL ALL WORK OUT. CALM DOWN. 719 00:57:01,486 --> 00:57:02,720 IT'LL ALL WORK OUT. 720 00:57:02,753 --> 00:57:06,824 NO, IT WILL NEVER WORK OUT. NEVER, NEVER, NEVER. 721 00:57:08,025 --> 00:57:10,928 OH. WHAT'S THAT? 722 00:57:10,961 --> 00:57:12,062 GET IN THE CAR. 723 00:57:12,096 --> 00:57:14,665 OH, RENATO. 724 00:57:14,699 --> 00:57:17,968 UH...HE HAS A GUN. 725 00:57:20,337 --> 00:57:23,941 SORRY, GENTLEMEN. WE THOUGHT THIS WAS OUR CAR. 726 00:57:29,446 --> 00:57:30,681 GET IN THE CAR. 727 00:57:30,715 --> 00:57:33,050 YES. 728 00:57:47,965 --> 00:57:50,801 GET BACK! 729 00:57:54,705 --> 00:57:57,975 THAT'S IT. RIGHT IN THE LION'S DEN. 730 00:57:58,008 --> 00:58:01,579 POOR DARLINGS. 731 00:58:20,197 --> 00:58:25,570 YOU HAVE SOMETHING WHICH IS OF INTEREST TO US. 732 00:58:25,603 --> 00:58:29,006 WE'LL GIVE YOU $500,000, NOT A CENT MORE. 733 00:58:30,007 --> 00:58:33,744 WE'LL CALL YOU TONIGHT TO GIVE YOU INSTRUCTIONS. 734 00:58:39,784 --> 00:58:42,052 YOUR POSTERS ARE PRETTY. 735 00:58:42,086 --> 00:58:43,087 Renato: OUR POSTERS? 736 00:58:43,120 --> 00:58:46,824 YES, THEY MAKE YOU WANT TO SEE THE SHOW. 737 00:58:46,857 --> 00:58:48,158 AH, HOW SWEET OF YOU. 738 00:58:48,192 --> 00:58:51,028 IF YOU DROP BY, I'LL MAKE SURE YOU GET A GOOD SEAT. 739 00:58:51,061 --> 00:58:53,163 HEH HEH HEH. TAKE THIS. 740 00:58:53,197 --> 00:58:54,064 EXCUSE ME? 741 00:58:54,098 --> 00:58:55,666 PRESS THE RED BUTTON. 742 00:58:55,700 --> 00:58:57,034 WHAT IS IT? 743 00:58:57,067 --> 00:58:58,168 PRESS. 744 00:58:58,202 --> 00:58:59,003 DON'T PRESS. 745 00:58:59,036 --> 00:59:00,037 LET ME. 746 00:59:00,070 --> 00:59:01,071 LEAVE IT ALONE. 747 00:59:01,105 --> 00:59:02,106 LET ME DO IT. 748 00:59:02,139 --> 00:59:03,207 NO! 749 00:59:03,240 --> 00:59:04,241 SHOULD I PRESS IT? YES. 750 00:59:04,274 --> 00:59:06,043 YES. THERE. 751 00:59:06,076 --> 00:59:08,345 AAH! 752 00:59:08,378 --> 00:59:09,446 VOILA. 753 00:59:09,479 --> 00:59:10,748 WHAT HAPPENED? 754 00:59:10,781 --> 00:59:13,217 JUST A FEW DOZEN GRAMS. 755 00:59:13,250 --> 00:59:17,121 IMAGINE WHAT 100 WILL DO IN THE CLUB... 756 00:59:17,154 --> 00:59:20,591 DURING THE SHOW... 757 00:59:20,625 --> 00:59:23,027 OR IN YOUR APARTMENT. 758 00:59:23,060 --> 00:59:23,594 NO. 759 00:59:23,628 --> 00:59:26,563 WE'LL CALL YOU LATER... 760 00:59:26,597 --> 00:59:28,799 TO GET YOUR ANSWER. 761 00:59:28,833 --> 00:59:30,868 I KNEW THAT WOULD HAPPEN. 762 00:59:30,901 --> 00:59:32,102 WITH MY POSTERS? 763 00:59:32,136 --> 00:59:34,238 YOU'LL GO TO THE RENDEZVOUS. 764 00:59:34,271 --> 00:59:35,305 FINE. 765 00:59:35,339 --> 00:59:37,808 WITH WHAT? WE DON'T HAVE THE MICROFILM. 766 00:59:37,842 --> 00:59:40,144 BUT THEY THINK YOU DO. 767 00:59:40,177 --> 00:59:43,714 WHAT'S SO IMPORTANT ABOUT THAT DAMN MICROFILM? 768 00:59:43,748 --> 00:59:45,916 IT'S THE LIST OF THEIR AGENTS 769 00:59:45,950 --> 00:59:47,718 OPERATING IN FRANCE. 770 00:59:47,752 --> 00:59:49,586 THEY'LL DO ANYTHING TO GET IT BACK. 771 00:59:58,162 --> 01:00:00,297 NO. 772 01:00:02,099 --> 01:00:02,933 HELLO? 773 01:00:02,967 --> 01:00:04,468 Man: TOMORROW MORNING AT 6:00, 774 01:00:04,501 --> 01:00:09,206 BE AT THE MONTCOULÈCHE EXIT OF THE FREEWAY. 775 01:00:10,174 --> 01:00:11,108 COME ALONE. 776 01:00:11,141 --> 01:00:15,179 IF WE NOTICE ANYTHING SUSPICIOUS, 777 01:00:15,212 --> 01:00:17,782 YOU'LL BE SHOT ON SIGHT. 778 01:00:18,282 --> 01:00:19,316 THAT'S IT! 779 01:00:19,349 --> 01:00:20,951 WE'VE GOT THEM! 780 01:00:20,985 --> 01:00:22,086 YOU'LL GO TO THE RENDEZVOUS. 781 01:00:22,119 --> 01:00:24,254 WE'LL BE RIGHT BEHIND YOU. 782 01:00:24,288 --> 01:00:26,456 RIGHT, AND WE GET KILLED. 783 01:00:26,490 --> 01:00:29,126 I WANT THE LEADER ALIVE. 784 01:00:29,159 --> 01:00:31,261 I'LL QUESTION HIM MYSELF. 785 01:00:31,295 --> 01:00:34,298 GENTLEMEN, YOU'RE IN A SITUATION 786 01:00:34,331 --> 01:00:35,833 WHICH REQUIRES COURAGE... 787 01:00:35,866 --> 01:00:37,467 AND VIRILITY. 788 01:00:37,501 --> 01:00:42,339 TODAY YOU HAVE THE CHANCE TO BE REAL MEN. 789 01:01:00,590 --> 01:01:02,192 SHALL WE GO? 790 01:01:02,226 --> 01:01:04,895 YES, LET'S GO. 791 01:01:16,573 --> 01:01:19,877 IF THERE'S SHOOTING, JUMP INTO THE BUSHES. 792 01:01:19,910 --> 01:01:20,878 AND IF THERE ARE NO BUSHES? 793 01:01:20,911 --> 01:01:24,749 DON'T ARGUE. JUMP, AND WE DO THE REST. 794 01:01:28,385 --> 01:01:30,888 IT WASN'T TRUE, YOU KNOW. 795 01:01:30,921 --> 01:01:31,722 WHAT? 796 01:01:31,756 --> 01:01:34,224 THAT YOU'RE LESS SEDUCTIVE. 797 01:01:34,258 --> 01:01:35,325 IT WASN'T TRUE. 798 01:01:35,359 --> 01:01:37,995 YOU'RE JUST SAYING THAT. 799 01:01:38,028 --> 01:01:41,198 NO, NO. IT'S THE TRUTH. 800 01:01:41,231 --> 01:01:43,333 I SWEAR YOU HAVEN'T GOTTEN ANY FATTER 801 01:01:43,367 --> 01:01:44,501 OR OLDER. 802 01:01:44,534 --> 01:01:48,238 JUST A BIGGER PAIN IN THE NECK. 803 01:01:49,639 --> 01:01:51,942 HEH HEH. THAT COULD BE. 804 01:01:54,444 --> 01:01:58,582 NO ONE CAN SAY WE HAVEN'T BEEN HAPPY TOGETHER. 805 01:02:02,552 --> 01:02:05,155 OK... 806 01:02:09,994 --> 01:02:12,863 WHERE ARE YOU GOING? COME BACK! 807 01:02:15,432 --> 01:02:18,668 THEY'VE JAMMED THE DOORS. DAMN IT! 808 01:02:26,343 --> 01:02:29,479 YOUR PAPERS. 809 01:02:32,249 --> 01:02:34,651 TAXI! 810 01:02:39,023 --> 01:02:41,291 TO THE BORDER. FAST! 811 01:03:05,682 --> 01:03:07,985 THERE'S A CAR FOLLOWING US. 812 01:03:08,018 --> 01:03:10,454 TRY TO LOSE IT. 813 01:03:14,691 --> 01:03:16,861 OH! 814 01:03:26,070 --> 01:03:28,672 DAMN QUEERS. 815 01:03:34,511 --> 01:03:37,814 THAT CAR OVER BY CUSTOMS... 816 01:03:37,848 --> 01:03:40,217 IT'S THE POLICE. 817 01:03:42,319 --> 01:03:43,220 THERE? 818 01:03:43,253 --> 01:03:46,891 I'M TELLING YOU THAT JUST IN CASE. 819 01:03:49,326 --> 01:03:53,497 DO YOU KNOW WHAT WE CAN DO TO AVOID ANY PROBLEMS? 820 01:03:53,530 --> 01:03:57,501 NO, NO. NO IDEA. 821 01:04:04,508 --> 01:04:06,410 HEY. 822 01:04:19,456 --> 01:04:22,159 OH, I CAN'T GO ON! 823 01:04:22,192 --> 01:04:24,861 IT'S A MEDICAL PROBLEM. I CAN'T WALK. 824 01:04:24,895 --> 01:04:26,363 I HAVE FLAT FEET. 825 01:04:26,396 --> 01:04:28,732 THAT'S HOW I GOT MY DISCHARGE. 826 01:04:28,765 --> 01:04:32,702 BECAUSE OF FLAT FEET? 827 01:04:32,736 --> 01:04:36,340 YOU TOLD ME YOU APPEARED BEFORE THE DRAFT BOARD 828 01:04:36,373 --> 01:04:37,241 IN A SKIRT. 829 01:04:37,274 --> 01:04:39,376 BUT THEY NOTICED I HAD FLAT FEET. 830 01:04:39,409 --> 01:04:43,213 WHEN I THINK WE COULD HAVE GONE BY BOAT, 831 01:04:43,247 --> 01:04:46,416 BUT NO, WE'RE HERE JOGGING. OH! 832 01:04:46,450 --> 01:04:49,019 HARBORS, TRAIN STATIONS, AND AIRPORTS, 833 01:04:49,053 --> 01:04:52,756 ARE THE FIRST PLACES THE POLICE CHECK, IDIOT. 834 01:04:52,789 --> 01:04:55,559 OH, YES, AND YOU THINK IT'S A GOOD IDEA 835 01:04:55,592 --> 01:04:57,561 TO HIDE OUT AT YOUR FAMILY'S IN ITALY? 836 01:04:57,594 --> 01:05:01,098 BRAVO. HA HA. THAT THEY WON'T LOOK FOR US THERE? 837 01:05:01,131 --> 01:05:06,536 IN ITALY, WHEN A MAN GOES INTO HIDING, 838 01:05:06,570 --> 01:05:09,439 EVERYONE BECOMES HIS ACCOMPLICE. 839 01:05:09,473 --> 01:05:12,609 THE COPS CAN'T DO A THING. 840 01:05:31,461 --> 01:05:34,999 THOSE 2 QUEERS YOU PICKED UP THIS MORNING, 841 01:05:35,032 --> 01:05:38,435 WHERE DID YOU TAKE THEM? 842 01:05:38,468 --> 01:05:40,504 Renato: WE'VE CROSSED THE BORDER. 843 01:05:40,537 --> 01:05:42,239 WE'RE IN ITALY? YES. 844 01:05:42,272 --> 01:05:43,607 OH, IN ITALY! OH! 845 01:05:43,640 --> 01:05:46,977 I CAN'T BELIEVE IT. I FORGOT MY POWDER. 846 01:05:47,011 --> 01:05:51,615 I CAN'T GO INTO ITALY LOOKING LIKE THIS. OH! 847 01:05:55,185 --> 01:05:58,088 YOU CAN'T MEET MY FAMILY LOOKING LIKE THAT. 848 01:05:58,122 --> 01:05:59,023 BUT WHY? 849 01:05:59,056 --> 01:06:02,426 HOW AM I SUPPOSED TO INTRODUCE YOU? 850 01:06:02,459 --> 01:06:03,260 AS A FRIEND. 851 01:06:03,293 --> 01:06:04,528 HAVE YOU LOOKED AT YOURSELF? 852 01:06:04,561 --> 01:06:08,098 YOU KNOW, ONCE, IN MY VILLAGE, 853 01:06:08,132 --> 01:06:12,169 THE BUTCHER'S SON HAD AN AFFAIR WITH THE BLACKSMITH'S SON. 854 01:06:12,202 --> 01:06:13,103 AND THEN? 855 01:06:13,137 --> 01:06:14,604 AND THEN THE FATHER KILLED THEM, 856 01:06:14,638 --> 01:06:16,640 BASHED THEIR HEADS IN. 857 01:06:16,673 --> 01:06:18,875 HOW HORRIBLE. RENATO! 858 01:06:18,908 --> 01:06:20,544 MAYBE WE SHOULD GO TO SWITZERLAND. 859 01:06:20,577 --> 01:06:23,447 NO. YOU'RE COMING HOME WITH ME. 860 01:06:34,658 --> 01:06:37,994 I'M UNCOMFORTABLE IN THESE CLOTHES. 861 01:06:38,028 --> 01:06:40,064 I FEEL AWFUL. 862 01:06:41,231 --> 01:06:44,668 I FEEL SAD. I FEEL OLD. 863 01:06:46,403 --> 01:06:49,306 AND TO THINK THAT JUST 3 DAYS AGO, 864 01:06:49,339 --> 01:06:52,576 I WAS SUCH A HIT IN "THE BLUE ANGEL." 865 01:06:52,609 --> 01:06:55,045 LOOK WHAT'S HAPPENED TO ME! 866 01:06:55,079 --> 01:06:57,214 I'VE AGED 50 YEARS IN 3 DAYS. 867 01:06:57,247 --> 01:07:01,451 NONSENSE. YOU LOOK GREAT. 868 01:07:02,286 --> 01:07:04,221 WHAT ARE YOU LAUGHING AT? 869 01:07:04,254 --> 01:07:07,023 NOTHING. YOU LOOK LIKE A REAL MATRON. 870 01:07:07,057 --> 01:07:11,261 BRAVO. THAT WAS JUST THE THING TO SAY. 871 01:07:21,305 --> 01:07:25,609 I'M THIRSTY. WILL YOU GET ME SOMETHING TO DRINK? 872 01:07:25,642 --> 01:07:27,077 WE'RE JUST STOPPING FOR A MINUTE. 873 01:07:27,111 --> 01:07:31,215 BE NICE. IF I DON'T GET SOMETHING, I'LL FAINT. 874 01:07:31,248 --> 01:07:32,216 FINE. 875 01:07:32,249 --> 01:07:35,985 YOU COULD PUT YOURSELF OUT A LITTLE. 876 01:07:44,894 --> 01:07:48,765 THERE'S NOTHING HERE. NOT EVEN A SNACK BAR. 877 01:07:48,798 --> 01:07:53,570 WE'RE IN THE STICKS. EXCUSE ME. 878 01:07:53,603 --> 01:07:56,440 EXCUSE ME. EXCUSE ME. 879 01:07:56,473 --> 01:07:58,275 DON'T BOTHER TO APOLOGIZE. 880 01:07:58,308 --> 01:07:59,543 EXCUSE ME. 881 01:07:59,576 --> 01:08:01,311 RENATO! 882 01:08:06,350 --> 01:08:07,717 RENATO! AAH! 883 01:08:07,751 --> 01:08:11,321 ALBIN, GET OFF AT THE NEXT STATION! 884 01:08:11,355 --> 01:08:14,258 AAH! 885 01:08:14,291 --> 01:08:18,928 STOP THE TRAIN! WHOO-WHOO! WHOO! 886 01:08:18,962 --> 01:08:23,533 HEH HEH. 887 01:08:41,451 --> 01:08:42,752 FATHER. 888 01:08:42,786 --> 01:08:45,021 SISTERS. 889 01:09:09,413 --> 01:09:10,347 YOUR REVERENCE. 890 01:09:10,380 --> 01:09:13,383 YOU'RE HERE AT LAST. 891 01:09:13,417 --> 01:09:14,951 I'VE BEEN HERE FOR A WHILE, 892 01:09:14,984 --> 01:09:19,356 BUT YOU DON'T GIVE A DAMN. 893 01:09:19,389 --> 01:09:20,357 HOLD THIS. 894 01:09:20,390 --> 01:09:22,025 QUIET. THE NUNS ARE LOOKING AT YOU. 895 01:09:22,058 --> 01:09:22,859 WHAT'S THAT? 896 01:09:22,892 --> 01:09:23,960 SOMEONE MIGHT RECOGNIZE US. 897 01:09:23,993 --> 01:09:26,963 HURRY. JUST A SECOND. 898 01:09:26,996 --> 01:09:27,797 LET'S GO. 899 01:09:27,831 --> 01:09:32,068 WE MUSTN'T KEEP YOUR MOTHER WAITING. 900 01:09:36,706 --> 01:09:41,411 THE SHEET ISN'T STRAIGHT. PULL IT ON YOUR SIDE. 901 01:09:41,445 --> 01:09:42,979 IT'S ALL WRINKLED. 902 01:09:43,012 --> 01:09:45,215 AND YOU, DON'T JUST STAND THERE. 903 01:09:45,249 --> 01:09:47,584 GET THE OTHER ROOM READY. 904 01:09:47,617 --> 01:09:49,319 WHY DON'T THEY SLEEP TOGETHER? 905 01:09:49,353 --> 01:09:52,856 I HAVEN'T BEEN INFORMED OF THIS MARRIAGE. 906 01:09:52,889 --> 01:09:56,860 AS FAR AS I AM CONCERNED, THEY ARE NOT MARRIED. 907 01:09:56,893 --> 01:10:00,497 THE CHANGE OF AIR WILL DO ME GOOD. 908 01:10:00,530 --> 01:10:01,231 IT'S BEEN AGES 909 01:10:01,265 --> 01:10:04,834 SINCE I'VE BEEN IN THE COUNTRY. 910 01:10:04,868 --> 01:10:06,836 I'M THRILLED ABOUT MEETING YOUR MOTHER. 911 01:10:06,870 --> 01:10:09,339 WHAT SHOULD I CALL HER? HMM? 912 01:10:09,373 --> 01:10:12,476 MRS. BALDI, OR MOTHER? 913 01:10:19,549 --> 01:10:22,586 MAMA. AHH. 914 01:10:22,619 --> 01:10:26,790 RENATO. MY BOY. 915 01:10:26,823 --> 01:10:30,294 AH, OH, MY BOY. 916 01:10:30,327 --> 01:10:32,228 MADAME. 917 01:10:45,442 --> 01:10:48,412 COME IN. 918 01:10:57,421 --> 01:10:59,356 COME HERE A MINUTE. 919 01:11:04,361 --> 01:11:06,863 LADIES. 920 01:11:15,672 --> 01:11:19,075 WHY DID YOU KEEP YOUR MARRIAGE A SECRET? 921 01:11:19,108 --> 01:11:21,745 IT'S JUST THAT IT HAPPENED 922 01:11:21,778 --> 01:11:24,481 ON THE SPUR OF THE MOMENT. 923 01:11:24,514 --> 01:11:27,351 YOU'RE LOOKING WELL. 924 01:11:27,817 --> 01:11:31,388 WHY HAVE YOU COME BACK, RENATO? 925 01:11:34,358 --> 01:11:37,694 THEY'RE LOOKING FOR ME. 926 01:11:37,727 --> 01:11:41,365 YOU'VE GOT TO HIDE ME, MOTHER. I'M ON THE RUN. 927 01:11:41,398 --> 01:11:43,467 YOU'VE GOT TO HIDE ME. 928 01:11:43,500 --> 01:11:47,036 YOU DID SOMETHING FOOLISH, HUH? 929 01:11:48,572 --> 01:11:50,507 YES. 930 01:11:52,241 --> 01:11:55,412 RENATO, DID YOU KILL A MAN? 931 01:11:57,981 --> 01:12:00,617 OVER A WOMAN? 932 01:12:00,650 --> 01:12:04,521 UH... 933 01:12:04,554 --> 01:12:06,356 YES. 934 01:12:06,390 --> 01:12:09,058 OVER THAT ONE? 935 01:12:16,199 --> 01:12:17,667 COME. 936 01:12:24,774 --> 01:12:27,043 WE'LL HIDE YOU AS LONG AS NEED BE. 937 01:12:27,076 --> 01:12:29,546 YOU'LL BE SAFE HERE. 938 01:12:29,579 --> 01:12:31,815 WE'RE USED TO THIS SORT OF THING. 939 01:12:31,848 --> 01:12:35,385 THANK YOU, MOTHER. YOU'RE VERY KIND. 940 01:12:35,419 --> 01:12:37,587 NOW GET TO WORK. 941 01:12:37,621 --> 01:12:38,855 EXCUSE ME? 942 01:12:38,888 --> 01:12:40,424 GET TO WORK. 943 01:12:40,457 --> 01:12:44,594 ALL THE WOMEN HERE WORK. 944 01:12:44,628 --> 01:12:46,930 BUT, MOTHER... 945 01:12:46,963 --> 01:12:48,598 DID YOU HEAR YOUR MOTHER? 946 01:12:48,632 --> 01:12:50,600 YES. IT'S NOT HUMILIATING. 947 01:12:50,634 --> 01:12:52,602 THAT'S THE WAY IT IS HERE. 948 01:12:52,636 --> 01:12:54,571 GO HELP WITH THE COOKING. 949 01:12:54,604 --> 01:12:57,441 OK, I HEARD YOU! 950 01:12:57,474 --> 01:13:00,276 THIS IS UNBELIEVABLE. 951 01:13:00,309 --> 01:13:03,480 HELLO, LADIES. HA HA! 952 01:13:05,114 --> 01:13:07,283 EXCUSE ME... 953 01:13:07,316 --> 01:13:08,452 HA HA HA HA! 954 01:13:08,485 --> 01:13:12,388 MY GOD, WHAT A NASTY JOB. JUST LOOK AT THIS. 955 01:13:12,422 --> 01:13:15,291 TELL HER TO USE LESS PERFUME 956 01:13:15,324 --> 01:13:19,295 AND TO LEARN HOW TO KNEAD THE PASTA DOUGH. 957 01:13:19,328 --> 01:13:21,264 YES, MOTHER. 958 01:13:38,515 --> 01:13:42,085 COME ON. LET'S DRINK TO THE GOOD OLD DAYS. 959 01:13:47,323 --> 01:13:49,559 HA HA HA! YOO-HOO! IT'S ME! 960 01:13:49,593 --> 01:13:52,996 GOOD EVENING, GENTLEMEN. LET ME INTRODUCE MYSELF. 961 01:13:53,029 --> 01:13:56,332 I'M MRS. BALDI. HOW ARE ALL OF YOU? 962 01:13:56,365 --> 01:13:58,301 ISN'T MOTHER HERE? 963 01:13:58,334 --> 01:14:00,303 SORRY IF I'M A LITTLE LATE. 964 01:14:00,336 --> 01:14:02,572 I WANTED TO FRESHEN UP BEFORE DINNER. 965 01:14:02,606 --> 01:14:05,441 HA! IS EVERYTHING OK IN THE FIELDS? 966 01:14:05,475 --> 01:14:08,845 DID YOU HAVE A GOOD DAY? YES? GOOD. 967 01:14:08,878 --> 01:14:11,915 I'D LOVE A LITTLE DROP OF WINE. 968 01:14:11,948 --> 01:14:13,850 I'M VERY THIRSTY. 969 01:14:13,883 --> 01:14:15,552 AAH! 970 01:14:19,288 --> 01:14:20,757 WHAT HAPPENED? 971 01:14:20,790 --> 01:14:25,495 MY DRESS, SWEETIE. MY DRESS. 972 01:14:25,529 --> 01:14:28,532 I'D REALLY LIKE A DROP OF WINE. 973 01:14:28,565 --> 01:14:31,501 I'M DYING OF THIRST. IT MUST BE THE HEAT. 974 01:14:31,535 --> 01:14:33,703 I HELPED MAKE THE DINNER. 975 01:14:33,737 --> 01:14:34,871 IS EVERYTHING OK? 976 01:14:34,904 --> 01:14:38,708 IT'S FUN TO COOK EVERY ONCE IN A WHILE. 977 01:14:38,742 --> 01:14:41,344 I'VE NEVER ROLLED NOODLES BEFORE. 978 01:14:41,377 --> 01:14:44,113 WHOO-HOO! HA HA HA! 979 01:14:44,147 --> 01:14:45,515 A LITTLE SECRET. 980 01:14:45,549 --> 01:14:50,153 THE WOMEN DON'T SIT WITH THE MEN HERE. 981 01:14:50,186 --> 01:14:54,724 YES? WHAT'S GOTTEN INTO YOU? 982 01:15:28,257 --> 01:15:30,259 SOME WINE. 983 01:15:37,033 --> 01:15:39,869 THAT'S ENOUGH. THANK YOU. 984 01:15:41,805 --> 01:15:42,839 THANK YOU. 985 01:15:42,872 --> 01:15:45,541 YES. 986 01:17:10,459 --> 01:17:13,663 SO HIS MAJESTY IS TIRED? 987 01:17:13,697 --> 01:17:19,035 OH, YES. HELP ME OFF WITH MY SHOES. 988 01:17:25,742 --> 01:17:28,077 TAKE OFF MY SHOES. 989 01:17:30,880 --> 01:17:34,851 TOMORROW MORNING WE HAVE TO BE UP AT 4:00. 990 01:17:34,884 --> 01:17:37,821 YOU HAVE TO PREPARE LUNCH FOR ME 991 01:17:37,854 --> 01:17:42,358 AND ALL THE MEN WORKING IN THE FIELD. 992 01:17:42,391 --> 01:17:45,094 FOR EVERYONE? 993 01:17:57,774 --> 01:17:59,575 LISTEN, RENATO. 994 01:17:59,608 --> 01:18:01,711 I WANT TO GO BACK TO BEING A MAN. 995 01:18:01,745 --> 01:18:04,914 I DON'T LIKE BEING A WOMAN IN THIS COUNTRY. 996 01:18:04,948 --> 01:18:06,983 I DON'T WANT IT ANYMORE! 997 01:18:07,016 --> 01:18:10,820 JUST LOOK AT THE STATE I'M IN. 998 01:18:10,854 --> 01:18:14,758 I'VE HAD...I'VE HAD... 999 01:18:14,791 --> 01:18:21,130 I'VE HAD ENOUGH. 1000 01:18:29,538 --> 01:18:30,740 MADAME BALDI? 1001 01:18:30,774 --> 01:18:31,741 YES. 1002 01:18:31,775 --> 01:18:33,943 I HAVE A MONEY ORDER FOR RENATO BALDI. 1003 01:18:33,977 --> 01:18:36,612 RENATO BALDI IS OUT OF THE COUNTRY. 1004 01:18:36,645 --> 01:18:40,784 REALLY? THAT'S TOO BAD. 1005 01:18:40,817 --> 01:18:42,018 IT'S A GOOD DEAL OF MONEY. 1006 01:18:42,051 --> 01:18:45,121 HE HASN'T BEEN HERE IN 20 YEARS, 1007 01:18:45,154 --> 01:18:46,956 AND I HAVE NO IDEA WHERE HE IS. 1008 01:18:46,990 --> 01:18:52,762 FINE. WE'LL JUST KEEP IT THEN, 1009 01:18:52,796 --> 01:18:54,764 BUT WE'LL BE BACK. 1010 01:18:54,798 --> 01:18:59,268 THANK YOU, MRS. BALDI. 1011 01:19:26,662 --> 01:19:29,465 HELLO. 1012 01:19:34,037 --> 01:19:36,772 DON'T LOOK AT ME LIKE THAT. 1013 01:19:36,806 --> 01:19:41,610 IF RENATO SAW YOU, HE WOULDN'T LIKE IT. 1014 01:19:44,113 --> 01:19:47,616 I'M NOT THE ONLY PRETTY GIRL ON THE FARM. 1015 01:19:47,650 --> 01:19:50,820 TAKE LAURA, FOR EXAMPLE. SHE'S CHARMING. 1016 01:19:50,854 --> 01:19:55,024 WITHOUT HER MOUSTACHE, SHE'D BE ME 20 YEARS AGO. 1017 01:20:01,197 --> 01:20:03,632 I'M NO DIFFERENT FROM THE OTHERS. 1018 01:20:03,666 --> 01:20:06,903 IT'S JUST THAT I'M A NEW FACE. 1019 01:20:19,916 --> 01:20:22,151 YOU EXCITE ME. 1020 01:20:24,553 --> 01:20:28,858 YES, FINE, BUT IT'S WRONG. 1021 01:20:28,892 --> 01:20:30,994 VERY WRONG. 1022 01:20:31,027 --> 01:20:32,195 YOU'RE FORGETTING RENATO. 1023 01:20:32,228 --> 01:20:34,830 YOU MUSTN'T SAY SUCH THINGS TO ME. 1024 01:20:34,864 --> 01:20:35,965 RENATO. 1025 01:20:35,999 --> 01:20:40,904 SWEAR TO ME. SWEAR YOU'LL NEVER TRY TO SEE ME AGAIN. 1026 01:20:40,937 --> 01:20:42,906 GO ON, SWEAR IT. 1027 01:20:47,043 --> 01:20:48,011 WHAT'S WRONG? 1028 01:20:48,044 --> 01:20:52,081 THEY'RE ON OUR TRAIL. WE CAN'T STAY HERE. 1029 01:20:52,115 --> 01:20:53,149 OH! 1030 01:20:53,182 --> 01:20:55,851 LUIGI, TAKE THEM TO THE SHEPHERD'S HUT 1031 01:20:55,885 --> 01:20:56,886 AND STAY WITH THEM. 1032 01:20:56,920 --> 01:20:59,022 I'M ENTRUSTING YOU. 1033 01:20:59,055 --> 01:21:01,057 ALL RIGHT, MRS. BALDI. 1034 01:21:01,090 --> 01:21:04,994 YOU'LL BE SAFE WITH LUIGI. 1035 01:21:05,028 --> 01:21:08,564 HE'S THE BEST SHOOTER IN THESE MOUNTAINS. 1036 01:21:20,076 --> 01:21:24,914 WE'LL STOP AT LUIGI'S HOUSE TO GET PROVISIONS 1037 01:21:24,948 --> 01:21:28,617 AND SOME MEN'S CLOTHES FOR YOUR WIFE. 1038 01:21:29,152 --> 01:21:30,453 WHAT? 1039 01:21:30,486 --> 01:21:34,257 THERE ARE ONLY MEN, ONLY SHEPHERDS, IN THE MOUNTAINS. 1040 01:21:34,290 --> 01:21:37,927 A WOMAN WOULD BE VERY CONSPICUOUS, 1041 01:21:37,961 --> 01:21:39,362 ESPECIALLY THAT ONE. 1042 01:21:39,395 --> 01:21:43,399 SHE HAS TO PASS FOR A MAN, RENATO. 1043 01:21:47,170 --> 01:21:51,207 YOU'LL WEAR THIS TO HIDE YOUR HAIR. 1044 01:21:51,240 --> 01:21:53,943 LET HER CHANGE. WE HAVE TO HURRY. 1045 01:21:53,977 --> 01:21:55,979 WE'VE WASTED ENOUGH TIME. 1046 01:21:59,615 --> 01:22:01,951 I'M NOT GOING TO DRESS LIKE A MAN, RENATO. 1047 01:22:01,985 --> 01:22:05,588 DON'T ARGUE. HURRY AND PUT ON THESE CLOTHES. 1048 01:22:05,621 --> 01:22:07,957 BUT IT'LL SHOW! 1049 01:22:07,991 --> 01:22:09,225 WHAT WILL SHOW? 1050 01:22:09,258 --> 01:22:10,159 THAT I'M A MAN. 1051 01:22:10,193 --> 01:22:11,927 DON'T COUNT ON IT. 1052 01:22:11,961 --> 01:22:15,999 IN ANY CASE, I WON'T PUT A CAP OVER MY WIG. 1053 01:22:16,032 --> 01:22:18,734 YOU DRESS LIKE A MAN, BUT YOU'RE NOT A MAN. 1054 01:22:18,767 --> 01:22:21,104 YOU'RE A WOMAN WHO IS DRESSED LIKE A MAN. 1055 01:22:21,137 --> 01:22:24,173 COULD YOU REPEAT THAT, PLEASE? 1056 01:22:24,207 --> 01:22:26,109 NO, NO. SOME OTHER TIME. 1057 01:22:26,142 --> 01:22:29,012 AND REMEMBER, KEEP YOUR BOSOM. 1058 01:22:29,045 --> 01:22:32,015 YOU'RE NOT A MAN DRESSED LIKE A WOMAN. 1059 01:22:32,048 --> 01:22:34,984 YOU'RE A WOMAN DISGUISED AS A MAN. 1060 01:22:35,018 --> 01:22:37,020 IS THAT CLEAR? 1061 01:22:37,053 --> 01:22:40,856 I'M A WOMAN... 1062 01:22:40,889 --> 01:22:44,260 DISGUISED AS A MAN. 1063 01:22:47,496 --> 01:22:53,136 VOILA. I'M READY. 1064 01:22:56,005 --> 01:23:00,443 SEEN FROM AFAR, SHE COULD PASS. 1065 01:23:00,476 --> 01:23:03,012 FROM VERY FAR. 1066 01:23:06,249 --> 01:23:07,783 CAREFUL, MADAME. 1067 01:23:07,816 --> 01:23:10,386 HA! CALL ME MISTER, LUIGI. 1068 01:23:10,419 --> 01:23:12,455 IT'LL AROUSE LESS SUSPICION. 1069 01:23:12,488 --> 01:23:16,492 AH, HA HA! CAREFUL. 1070 01:23:18,427 --> 01:23:20,029 VOILA, MADAME. 1071 01:23:20,063 --> 01:23:20,896 YES. 1072 01:23:20,929 --> 01:23:22,065 SHALL I CARRY YOU? 1073 01:23:22,098 --> 01:23:23,399 NO, I'M FINE. 1074 01:23:23,432 --> 01:23:25,368 SHE'S NOT MADE OF GLASS. 1075 01:23:25,401 --> 01:23:28,404 IT'S A DIFFICULT CLIMB FOR A WOMAN. 1076 01:23:28,437 --> 01:23:30,706 IT'S NOT EASY. 1077 01:23:31,440 --> 01:23:35,244 VOILA. HERE'S THE LOOKOUT POST. 1078 01:23:35,278 --> 01:23:38,081 IT OVERLOOKS THE WHOLE VALLEY. 1079 01:23:38,114 --> 01:23:39,182 AH. 1080 01:23:39,215 --> 01:23:41,084 AS LONG AS I'M HERE WITH MY GUN, 1081 01:23:41,117 --> 01:23:44,087 YOU CAN SLEEP IN PEACE. 1082 01:23:44,120 --> 01:23:47,423 THE SHEPHERD'S HUT IS OVER THERE. 1083 01:23:50,226 --> 01:23:51,260 LADIES FIRST. 1084 01:23:51,294 --> 01:23:54,097 OH, EXCUSE ME. THANK YOU, LUIGI. 1085 01:23:54,130 --> 01:23:57,533 OH, IT'S CERTAINLY RUSTIC. 1086 01:24:04,273 --> 01:24:06,175 YOU'LL SLEEP HERE, MADAME. 1087 01:24:06,209 --> 01:24:07,276 THANKS, LUIGI. 1088 01:24:07,310 --> 01:24:09,212 AND YOU, OVER THERE. 1089 01:24:09,245 --> 01:24:12,215 I'LL BE UP AT THE LOOKOUT. 1090 01:24:12,248 --> 01:24:15,218 YOU'LL BE WELL-PROTECTED, MADAME. 1091 01:24:15,251 --> 01:24:18,487 I'LL WALK YOU TO THE DOOR. 1092 01:24:19,455 --> 01:24:23,259 GOOD NIGHT... LITTLE PRINCESS. 1093 01:24:23,292 --> 01:24:25,594 GOOD NIGHT. 1094 01:24:26,295 --> 01:24:29,532 THAT YOU HAVE NO RESPECT FOR ME, THAT'S ONE THING, 1095 01:24:29,565 --> 01:24:33,769 BUT HAVE SOME RESPECT FOR YOURSELF. 1096 01:24:34,337 --> 01:24:36,239 YOU'RE JEALOUS. 1097 01:24:36,272 --> 01:24:37,573 ME? ARE YOU KIDDING? 1098 01:24:37,606 --> 01:24:41,210 I JUST DON'T WANT TO BE SHOT BY THAT MORON. 1099 01:24:41,244 --> 01:24:42,278 WHOSE FAULT IS IT? 1100 01:24:42,311 --> 01:24:44,079 YOU'VE BEEN ASKING FOR IT. 1101 01:24:44,113 --> 01:24:47,650 LOOK AT THE WAY YOU'VE BEEN TREATING ME. 1102 01:24:47,683 --> 01:24:51,154 SUCH BRUTALITY! IT'S SHOCKING. 1103 01:24:51,187 --> 01:24:53,256 YOU'RE UGLY, RENATO. DO YOU HEAR ME? 1104 01:24:53,289 --> 01:24:58,794 JEALOUSLY HAS DISFIGURED YOU. YOU'RE VERY UGLY. 1105 01:25:01,197 --> 01:25:04,667 UHH! THE MAN I LOVED IS GONE! 1106 01:25:04,700 --> 01:25:07,136 AND SO IS THE ONE I LOVED. 1107 01:25:07,170 --> 01:25:10,706 NEVER HAVE YOU BEEN MORE RIDICULOUS! 1108 01:25:18,347 --> 01:25:21,150 COME ON. HURRY. 1109 01:25:36,365 --> 01:25:39,268 ALBIN, GET BACK INTO PANTS AT ONCE. 1110 01:25:39,302 --> 01:25:41,337 SO YOU CAN INSULT ME AGAIN? 1111 01:25:41,370 --> 01:25:44,340 WHAT DO YOU INTEND TO DO? 1112 01:25:44,373 --> 01:25:45,107 PARDON? 1113 01:25:45,140 --> 01:25:48,311 WITH THAT POOR HALF-WIT. 1114 01:25:48,977 --> 01:25:52,381 I DON'T KNOW. I HAVE TO THINK ABOUT IT. 1115 01:25:52,415 --> 01:25:54,650 IN ANY CASE, IT CAN'T GO VERY FAR. 1116 01:25:54,683 --> 01:25:59,355 HE HAS NO EDUCATION. HE IS A BIT UNCOUTH. 1117 01:25:59,388 --> 01:26:02,358 AND YOU ARE NOT A WOMAN. 1118 01:26:03,226 --> 01:26:07,863 OH, YOU KNOW, RENATO, YOU'RE A REAL KILLJOY. 1119 01:26:16,772 --> 01:26:20,243 ARE YOU OK? 1120 01:26:23,246 --> 01:26:27,316 YOU DO EVERYTHING TO HURT ME, RENATO. 1121 01:26:27,350 --> 01:26:28,016 DON'T EXAGGERATE. 1122 01:26:28,050 --> 01:26:30,586 OH, I'M NOT EXAGGERATING. 1123 01:26:30,619 --> 01:26:37,226 LET ME TELL YOU SOMETHING. I'VE HAD IT WITH YOU. 1124 01:26:37,260 --> 01:26:40,563 OH, NO. 1125 01:26:40,596 --> 01:26:43,232 I'VE HAD IT UP TO HERE! 1126 01:26:43,266 --> 01:26:45,768 AND I'M GETTING THE HELL OUT OF HERE. 1127 01:26:45,801 --> 01:26:47,270 I'VE HAD IT. 1128 01:26:47,303 --> 01:26:49,372 ALL RIGHT, GO! 1129 01:26:49,405 --> 01:26:52,241 GOOD-BYE! 1130 01:26:55,711 --> 01:26:58,547 I CAN'T TAKE ANYMORE! 1131 01:27:06,722 --> 01:27:10,393 A LITTLE TROUT FOR MY LITTLE PRINCESS. 1132 01:27:17,500 --> 01:27:22,471 WHAT'S WRONG? WHY ARE YOU CRYING? 1133 01:27:22,505 --> 01:27:27,443 IS IT THAT BASTARD WHO'S MAKING YOU CRY? 1134 01:27:27,476 --> 01:27:29,144 I'LL KILL HIM! 1135 01:27:29,177 --> 01:27:31,847 LUIGI! 1136 01:27:40,489 --> 01:27:43,526 RENATO! 1137 01:27:45,994 --> 01:27:47,062 HELLO. 1138 01:27:47,095 --> 01:27:48,931 RENATO. 1139 01:27:49,932 --> 01:27:52,868 HELLO. 1140 01:28:05,681 --> 01:28:09,685 DON'T SCREAM. NOT A WORD. 1141 01:28:12,455 --> 01:28:16,792 THE OTHERS ARE OUT THERE. JUST ACT NATURAL. 1142 01:28:22,365 --> 01:28:25,368 THAT'S FINE. JUST LIKE THAT. 1143 01:28:29,405 --> 01:28:31,507 YOU BASTARD! 1144 01:28:36,379 --> 01:28:38,547 WHO'S THAT? 1145 01:28:38,581 --> 01:28:40,516 SOME NUT. 1146 01:29:23,859 --> 01:29:26,562 COME ON! 1147 01:29:29,465 --> 01:29:31,767 WHAT ABOUT ALBIN? 1148 01:29:37,573 --> 01:29:39,408 SO THE MICROFILM GOT TO ITALY 1149 01:29:39,442 --> 01:29:42,445 TO THE TOP OF THE MOUNTAIN ON ITS OWN. 1150 01:29:42,478 --> 01:29:45,548 I DON'T GIVE A DAMN ABOUT THE MICROFILM. 1151 01:29:45,581 --> 01:29:47,583 I JUST WANT TO FIND ALBIN. 1152 01:29:47,616 --> 01:29:50,185 YOU BETTER GIVE A DAMN. 1153 01:29:50,218 --> 01:29:53,656 IT MAY BE OUR ONLY MEANS OF GETTING HIM BACK. 1154 01:29:54,289 --> 01:29:55,223 WHY? 1155 01:29:55,257 --> 01:29:57,092 IF IT IS THE LIST OF THEIR AGENTS, 1156 01:29:57,125 --> 01:29:59,695 WE'LL KNOW EXACTLY WHERE TO FIND HIM. 1157 01:30:07,302 --> 01:30:08,604 MAKE HIM SHUT UP! 1158 01:30:08,637 --> 01:30:12,207 I CAN'T MAKE HIM TALK AND SHUT UP AT THE SAME TIME. 1159 01:30:12,240 --> 01:30:15,611 Albin: AAH! 1160 01:30:15,644 --> 01:30:16,779 I'VE HAD ENOUGH OF THIS! 1161 01:30:16,812 --> 01:30:17,646 AAH! 1162 01:30:17,680 --> 01:30:20,282 ENOUGH, ENOUGH, ENOUGH! 1163 01:30:20,315 --> 01:30:21,817 I WAS GIVING HIM A TRUTH SERUM. 1164 01:30:21,850 --> 01:30:23,486 WE'RE GIVEN IT TO HIM 3 TIMES. 1165 01:30:23,519 --> 01:30:28,256 AND ALL HE ADMITTED WAS THAT HE WAS A HOMOSEXUAL. 1166 01:30:28,290 --> 01:30:32,495 30 CCs OF PENTOTHAL TO HAVE HIM SAY HE'S HOMOSEXUAL. 1167 01:30:32,528 --> 01:30:34,630 IT'S A BEGINNING, NO? 1168 01:30:34,663 --> 01:30:37,065 WE'VE ALREADY WASTED A LOT OF TIME. 1169 01:30:37,099 --> 01:30:38,834 MOUGEOTTE. 1170 01:30:38,867 --> 01:30:39,935 DEAR MOUGEOTTE. 1171 01:30:39,968 --> 01:30:42,437 TELL US WHERE THE MICROFILM IS, 1172 01:30:42,471 --> 01:30:44,006 OR I'LL PUT A BULLET IN YOUR HEAD! 1173 01:30:44,039 --> 01:30:45,474 I DON'T KNOW WHERE IT IS! 1174 01:30:45,508 --> 01:30:48,677 I DON'T EVEN KNOW WHAT MICROFILM IS. 1175 01:30:48,711 --> 01:30:50,445 I DON'T KNOW! 1176 01:30:54,717 --> 01:30:56,451 TELEPHONE. 1177 01:30:58,487 --> 01:31:00,288 HI. 1178 01:31:00,956 --> 01:31:03,325 WHAT? 1179 01:31:04,126 --> 01:31:06,695 NO NEED TO LOOK FURTHER. THEY HAVE IT. 1180 01:31:06,729 --> 01:31:09,698 THEY'VE ARRESTED MARTIN AND DUPRÉ. 1181 01:31:09,732 --> 01:31:13,569 BASTARDS! THEY'VE INFILTRATED OUR RING. 1182 01:31:14,302 --> 01:31:16,705 YOU SOLD IT TO THE OTHER SIDE. 1183 01:31:16,739 --> 01:31:18,707 EXCUSE ME? HEH HEH. 1184 01:31:18,741 --> 01:31:19,675 AAH! NO! 1185 01:31:19,708 --> 01:31:22,545 YOU CHOSE THE WRONG CAMP. TOO BAD. 1186 01:31:22,578 --> 01:31:26,114 NO! DON'T KILL ME! 1187 01:31:26,148 --> 01:31:27,049 I DIDN'T DO ANYTHING! 1188 01:31:27,082 --> 01:31:28,984 Man on bullhorn: THE HOUSE IS SURROUNDED. 1189 01:31:29,017 --> 01:31:32,621 YOU HAVEN'T GOT A CHANCE. 1190 01:31:32,655 --> 01:31:34,690 GIVE YOURSELVES UP. 1191 01:31:44,332 --> 01:31:45,734 ON YOUR FEET. 1192 01:31:45,768 --> 01:31:49,572 HOLD ON JUST A SECOND. AAH! 1193 01:31:49,605 --> 01:31:51,874 WHERE ARE YOUR MANNERS? 1194 01:31:51,907 --> 01:31:55,911 IF YOU TRY SOMETHING, I'LL KILL HER! 1195 01:31:57,846 --> 01:31:59,748 DON'T MAKE IT WORSE FOR YOURSELVES. 1196 01:31:59,782 --> 01:32:03,185 COME OUT WITH YOUR HANDS UP. WE WON'T HURT YOU. 1197 01:32:03,218 --> 01:32:06,989 ALBIN, I'M HERE! DON'T WORRY ANYMORE. 1198 01:32:07,022 --> 01:32:07,923 YOUR RENATO IS HERE. 1199 01:32:07,956 --> 01:32:09,558 YOU'RE GONNA RUIN EVERYTHING! 1200 01:32:09,592 --> 01:32:13,528 Albin: RENATO, I WANT TO GO HOME! 1201 01:32:13,562 --> 01:32:15,731 DON'T WORRY. I'LL TAKE YOU HOME. 1202 01:32:15,764 --> 01:32:18,033 SHUT UP, FOR GOD'S SAKE! 1203 01:32:18,066 --> 01:32:19,568 GET HIM OUT OF HERE. 1204 01:32:19,602 --> 01:32:23,105 DON'T TALK TO ME IN THAT TONE OF VOICE. 1205 01:32:23,138 --> 01:32:27,175 DON'T GET SO EXCITED. I'LL KEEP STILL. 1206 01:32:27,209 --> 01:32:29,778 TIE HIM UP! 1207 01:32:30,813 --> 01:32:32,447 LISTEN TO ME. 1208 01:32:34,482 --> 01:32:36,785 THE BASTARDS TOOK A SHOT AT ME! 1209 01:32:36,819 --> 01:32:38,787 ASK FOR A PLANE. 1210 01:32:38,821 --> 01:32:39,521 HMM? 1211 01:32:39,554 --> 01:32:40,756 IN EXCHANGE FOR WHAT? 1212 01:32:40,789 --> 01:32:42,057 FOR THAT. 1213 01:32:42,090 --> 01:32:43,125 FOR THAT THING? 1214 01:32:43,158 --> 01:32:45,861 WOULD YOU EXCHANGE A PLANE FOR THAT? 1215 01:32:45,894 --> 01:32:49,798 A CHILD, A WOMAN, A PRIEST, YES. BUT THAT? 1216 01:32:49,832 --> 01:32:54,637 PRETEND I'M NOT HERE. IT DOESN'T MATTER. OW! 1217 01:32:58,641 --> 01:33:00,776 YOU HAVE 2 MINUTES, 1218 01:33:00,809 --> 01:33:02,477 OR WE'LL OPEN FIRE. 1219 01:33:02,510 --> 01:33:04,813 COME AND GET US, YOU BASTARDS! 1220 01:33:04,847 --> 01:33:07,049 THEY WOULDN'T SHOOT. 1221 01:33:07,082 --> 01:33:09,752 AFTER ALL, THERE'S A HOSTAGE IN HERE. 1222 01:33:11,820 --> 01:33:13,055 ARE YOU COLD? 1223 01:33:13,088 --> 01:33:15,457 I'M AFRAID. 1224 01:33:27,870 --> 01:33:28,637 40 SECONDS! 1225 01:33:28,671 --> 01:33:31,840 DON'T SHOOT! ALBIN'S IN THERE! 1226 01:33:31,874 --> 01:33:34,843 GET OUT OF HERE! 1227 01:33:36,679 --> 01:33:38,781 WHO DOES HE THINK HE IS? 1228 01:33:38,814 --> 01:33:39,982 30 SECONDS! 1229 01:33:40,015 --> 01:33:45,854 SO I'M NOT EVEN A HOSTAGE. I'M NOTHING AT ALL. 1230 01:33:46,521 --> 01:33:51,894 I'M NOT THE BLUE ANGEL. I'M NOT A PRINCESS. 1231 01:33:52,695 --> 01:33:55,898 I'M NOT EVEN A HOSTAGE. 1232 01:34:01,837 --> 01:34:04,873 GOOD, THEN. 1233 01:34:09,845 --> 01:34:11,847 EXCUSE ME. 1234 01:34:13,048 --> 01:34:14,683 WHERE ARE YOU GOING? 1235 01:34:14,717 --> 01:34:16,051 HUH. 1236 01:34:16,084 --> 01:34:18,887 I'M GOING TO RENATO. 1237 01:34:25,560 --> 01:34:26,729 Broca: READY UP THERE? 1238 01:34:40,108 --> 01:34:42,177 WHAT'S HE DOING NOW? 1239 01:34:42,745 --> 01:34:45,413 I'M GOING TO ALBIN. 1240 01:35:01,930 --> 01:35:04,432 ARE YOU OK, ALBIN? 1241 01:35:05,433 --> 01:35:08,804 I'M ALL RIGHT, RENATO. AND YOU? 1242 01:35:17,112 --> 01:35:19,481 IT'S SO BEAUTIFUL. 1243 01:35:42,137 --> 01:35:43,471 YES? 1244 01:35:43,505 --> 01:35:48,310 THE SECRETARY OF STATE? YES, PUT HIM THROUGH. 1245 01:35:50,779 --> 01:35:52,514 AH. 1246 01:35:52,848 --> 01:35:55,450 GOOD MORNING, MR. SECRETARY. 1247 01:35:55,483 --> 01:35:56,651 YES, I'M FINE. 1248 01:35:56,684 --> 01:36:00,122 FINE, THANK YOU, MR. SECRETARY. 1249 01:36:03,291 --> 01:36:04,492 ME? 1250 01:36:04,526 --> 01:36:07,129 ME, MR. SECRETARY? 1251 01:36:07,162 --> 01:36:10,132 BUT WHY ME? 1252 01:36:24,212 --> 01:36:25,347 AH. 1253 01:36:25,380 --> 01:36:27,515 IT'S THE DEPUTY. 1254 01:36:27,549 --> 01:36:28,516 OH, SORRY. 1255 01:36:28,550 --> 01:36:32,187 MONSIEUR, YOUR COURAGE HAS ENABLED US 1256 01:36:32,220 --> 01:36:36,458 TO PUT AN END TO A DANGEROUS SPY RING. 1257 01:36:36,491 --> 01:36:38,293 THE GOVERNMENT HAS ASKED ME 1258 01:36:38,326 --> 01:36:42,364 TO EXPRESS ITS THANKS AND ITS CONGRATULATIONS. 1259 01:36:42,397 --> 01:36:44,666 A PHOTO OF THE THREE OF YOU. 1260 01:36:44,699 --> 01:36:45,533 Albin: A PHOTO? 1261 01:36:45,567 --> 01:36:48,436 COME, COME THIS WAY. 1262 01:36:48,470 --> 01:36:49,537 HOW'S THIS? 1263 01:36:49,571 --> 01:36:51,506 Photographer: A LITTLE CLOSER. 1264 01:36:51,539 --> 01:36:53,608 CLOSER? I'M CLOSE ENOUGH. 1265 01:36:53,641 --> 01:36:56,211 YES, WELL, SIT DOWN. 1266 01:36:56,244 --> 01:36:57,212 YES, YES. 1267 01:36:58,246 --> 01:37:00,482 THERE, THANK YOU. 1268 01:37:00,515 --> 01:37:01,216 AAH! 1269 01:37:01,249 --> 01:37:03,518 NO PICTURES, NO PICTURES! 1270 01:37:03,551 --> 01:37:05,353 NO PICTURES, NO PICTURES! 1271 01:37:05,387 --> 01:37:05,453 CAPTIONING MADE POSSIBLE BY MGM HOME ENTERTAINMENT